Gary Numan quotes:

I have one brother, John, an airline pilot, who is seven years younger. He's adopted, though we're still blood related - he's my cousin. My parents couldn't have any more children after me, so when Dad's brother died, they adopted John, then just a baby.

I have a condition called Aspergers Syndrome, which is like a mild form of autism It means I don't interact properly in certain social situations.

I was a loner as a child and happiest at home, launching toy rockets and aeroplanes. When I started causing trouble in my third year at grammar school, Mum was really surprised. My parents sent me to a child psychologist, who suggested I might have Asperger's syndrome.

Being a display pilot is probably the thing I've been most proud of in my life. Don't really fly anymore now though. I have three small children and as most of my friends were killed in different accidents, I realised that it was probably just a matter of time before I went that way.

Any time anyone says anything nice about me, whether it's Lady Gaga or your neighbor, it's a nice feeling, I'm very grateful for it. It's very helpful for your career. Every time someone says something complimentary it introduces you to their audience. It gives you credibility.

I've always considered myself to be fiercely patriotic. I love Britain - its history and the down-to-earth attitude people have.

Song-writing is therapy for me. I'm a very moody person, very difficult to live with. There's a lot going on and a lot of contradictions. My life is always one step away from disaster.

I'm hopeless at small talk and have a problem making eye contact.

If I thought that any of this was pre ordained, then it takes away any kind of incentive to struggle, or to put up with things, to reach for those impossible dreams, all those dramatic things.

I did an album a long time ago called 'Replicas,' which was entirely science-fiction driven, or science-fantasy. Since then it's been a song here, a song there. It's not really a constant theme. I've written far more about my problems with religion, with God and all that.

When you decide to do this kind of music then you just accept the facts.

And I used to go the punk clubs such as a gay club in Poland Street that everyone would go to because it was the only place you could go to looking like that without getting beaten senseless.

I'm very intolerant and I get fed up with people easily.

I've got Asperger's syndrome and I'm not a very good people person, so I've always been more comfortable around machinery. Not in a weird way - I don't want to marry my car or anything stupid like that!

I met Gemma, my wife, when she was 12. She had a schoolgirl crush on me and her dad had arranged for her to meet me. Later, she started coming to my concerts, but I only got to know her well after her mother died. I rang to see how she was, and that's how it started.

It seems no matter what you say and how politically correctly and carefully you say it, you offend someone. Or at least I always do.

The idea of collaborating with anyone else was quite daunting. If Battles had any trepidation in asking me, I can assure you I had more after agreeing to do it.

Fame came quickly. I was only 19 when I secured my initial recording contract and my first two hit records - 'Are 'Friends' Electric?' and 'Cars' - were number ones.

Before breaking into music, I had various jobs: forklift driver, driving a courier. But I was forced into working rather than doing it off my own bat because that was my dad's way: you got a job and paid your way.

I've spent a lot of time in the United States and I'm not under any illusions that it's a crime-free nirvana. I'm well aware it has plenty of problems, though they seem to be associated with particular areas.

I became famous so quickly and so young - it was daunting. I was immature and I used to say some really stupid things in interviews. I never smiled on stage so I looked really serious, but it was because I hated my teeth and was incredibly nervous.

Strangely enough, when the Sugababes' 'Freak Like Me' went to number 1, which was built around my 'Are 'Friends' Electric' song, I had another song called 'Rip' go to number 1 in the Kerrang TV chart, so I was pulling new people in from very different areas of musical interest. That was quite an amazing week.

If you've been massive and it's all slid away, you tend to get written off. It's quite difficult to overcome that, which is why I've got this problem with nostalgia.

I'd been a Bowie fan before punk and used to get no end of trouble. I was always getting knocked about and having to run up the street, getting chased by people. It was horrible.

I'm very into science-fantasy, that kind of swordfights and magic and technology thing.

I honestly don't know what criteria makes someone right-wing or left-wing anymore. The boundaries of those definitions seem to be in a state of flux. I'm not socialist, I know that.

I always say it took me 10 minutes to write 'Cars,' but if I am honest it could have been even less than that - and it has been a really successful song over the years. It is still massively used, in advertising, in films, and people do cover versions of it a lot.

Are 'Friends' Electric?' was two songs: the verse part and the talking part. Two different songs I couldn't finish. One day I was playing the main verse part of 'Are 'Friends' Electric?' and after a few minutes I got frustrated, as normal, then started to play the other song, and realized they went together.

I would never take part in one of those Eighties nostalgia tours, although I've been asked many times, because it's like admitting you have nothing new to offer. As long as I can keep making music I'm happy with, and people want to come to my gigs to hear it, I'll carry on.

I think any song should sound good just played on a solitary instrument with the vocal. If you have those basics you have all you need. The production then just polishes that idea into the finished thing.

I wouldn't say I'm vain - I'm just in a job where the way you look is important. Well, at least the facelift wasn't vanity, but the hair was.

Album sales have collapsed, with few artists making money from albums; touring is more lucrative. But I'm 53 now and won't be able to tour forever, so a logical step is to get into writing film scores. Trouble is, you need to be somewhere which has a big film industry - another reason why I'm thinking about living in California.

I'm not good at happy, lightweight kind of music. I'm not really good at pop music. 'Cars' is probably the only true pop song I ever wrote. I wish I could write more, but I'm not very good at it.

I worship nothing. Not a good lie nor a dark one. If nature is proof of God's amazing creation then I have truly seen the light, and the light is black. Nature is genius at its most cruel and savage. No benevolent God could have come up with such an outrage.

I'm very lucky in the sense that I've got a voice that's distinctive. Not good, but distinctive. That's a very useful thing to have in this business. I'm glad on the one hand that I've got it, but I wish it was more powerful. I wish I had a greater range. I wish it was more accurate at times.

I think if you are creative then it's an unstoppable thing. It just keeps coming throughout your entire life.

I'll be the in to your sane.

I want to start my own airplane business. I'm going to buy two Dakotas, paint them up in war colours and do, er, nostalgia trips to Arnhem - you know, where the old paratroopers used to go - and charge them about 20 quid a time.

The industrial thing came about mainly through giving up trying to write pop songs in the early '90s. I don't think I was ever very good at pop music and as soon as I stopped trying, and started to write more the things I loved, it became much heavier and more aggressive.

Maybe I over-do the 'not-80s' thing. It should be a part of my life that I've got some sort of pride in, but I've got this huge chip on my shoulder about '80s nostalgia - and it annoys fans sometimes.

When I was a kid it was big news when someone flew around the world in a little aeroplane, but nobody cared when I did it. Then, to rub salt into my wounds, the customs people ripped my aeroplane to pieces, looking for stuff.

I have always been far more interested in sound than technique, and how sounds work together, how they can be layered. I think electronic music, in its infancy anyway, allowed us to create music in a way that hadn't really been possible before. It created a new kind of musician.

There does seem to be a kind of split. There are those people who are more entrenched in the early electronic years, and new people who have come to it because of people like Nine Inch Nails and Marilyn Manson.

I was always a bit different. I had a very happy childhood, but I could never hang on to mates.

When I was 11 I became a massive fan of The Monkees. We had a so-called 'band' of kids on my street and we'd go along to people's houses and mime to Monkees records.

I collect fantasy swords, replicas from films, and have them displayed on the wall as you go up the stairs.

In the mid-1980s to the early 1990s I was writing songs not because I particularly liked what I was doing, but because I was desperately trying to get back into the charts. I really didn't enjoy it. I didn't like the music I was making, I wasn't proud of it, like I have been before or since.

I just didn't make music that you could sing with a big grin, still don't.

I'd see an old person on the street and start crying. I couldn't understand how people could cope, knowing they only had so long left. It would be like dominoes and then the last one fell and I'm a little heap on the floor. Doctors put me on anti-depressants for a couple of years.

I am very old-fashioned about marriage. It is for life and I mean it. I always knew that when I met the right girl, the life I had before - being single, in a band, girls everywhere - would be over.

There's no point in lying saying I am doing really, really well because I'm not; I'm cult level.

Here in my car, I feel safest of all, I can lock all the doors.

I don't believe in sharing my money. If I go out and work my nuts off and make some money, I don't feel that I should have to share it with my community.

I genuinely don't know how many albums I'm going to sell when the new album comes out, because I honestly don't know how many fans I've actually got at the moment.

I sometimes wonder if I might be a bit of a disappointment to people, because they are expecting all these '80s hits and what they get is a dark industrial wall of noise.

I want them to play Britney Spears at my funeral. This way I won't feel so bad about being dead, and everyone there will know there is something worse than Death.

My dad was a baggage handler at Heathrow and careful with money. He worked hard and had three jobs when I was young. I wish I'd inherited his care for money. Sadly, I've grown up to be rather scatty when it comes to finances.

Time heals nothing, it merely rearranges our memory.

Ultravox were the blueprint for what I wanted to do, but I stumbled across them by accident.

We have heard projects with some of the writers, who we've been in business with for a long time at the studio, that we've heard as a studio - often, pitches that are still in their formation stage where we or the writers have wanted our input on developing them. We've probably heard more pitches with the network hat on. Certainly all of the outside pitches are that way, and many of the pitches that have been in great shape coming out of the studio we've heard from a network perspective.

I actually have two hats in my office; one says "network," one says "studio." Paul Lee over at ABC sent those over to us and I find it very useful.