Federico Fellini quotes:

I think television has betrayed the meaning of democratic speech, adding visual chaos to the confusion of voices. What role does silence have in all this noise?

There is no end. There is no beginning. There is only the passion of life.

There is no such thing as a good paparazzo. A good paparazzo, that's a paparazzo who has had his camera broken. In fact, they are bandits, thieves of photography. (Statement after photographs were published showing Jackie Onassis sunbathing nude.)

Everyone knows that time is Death, that Death hides in clocks. Imposing another time powered by the Clock of the Imagination, however, can refuse his law. Here, freed of the Grim Reaper's scythe, we learn that pain is knowledge and all knowledge pain.

A different language is a different vision of life.

All art is autobiographical. The pearl is the oyster's autobiography.

Realism is a bad word. In a sense everything is realistic. I see no line between the imaginary and the real.

Hype is the awkward and desperate attempt to convince journalists that what you've made is worth the misery of having to review it.

Real religion should be something that liberates men. But churches don't want free men who can think for themself and find their own divinity within. When a religion becomes organized it is no longer a religious experience but only superstition and estrangement.

A good opening and a good ending make for a good film provide they come close together.

It's easier to be faithful to a restaurant than it is to a woman.

God may not play dice but he enjoys a good round of Trivial Pursuit every now and again.

Censorship is advertising paid by the government.

Experience is what you get while looking for something else.

When the most important times are occurring, we don't even recognize them or notice. We are just busy living our lives. Only looking back do we know what was a great moment in our lives.

Nietzsche claimed that his genius was in his nostrils and I think that is a very excellent place for it to be.

All art is autobiographical.

According to the doctors, I'm only suffering from a light form of premature baldness.

Life is a combination of magic and pasta.

Georgian film is a completely unique phenomenon, vivid, philosophically inspiring, very wise, childlike. There is everything that can make me cry and I ought to say that it (my crying) is not an easy thing.

A good opening and a good ending make for a good film provided they come close together.

The young watch television twenty-four hours a day, they don't read and they rarely listen. This incessant bombardment of images has developed a hypertrophied eye condition that's turning them into a race of mutants. They should pass a law for a total reeducation of the young, making children visit the Galleria Borghese on a daily basis.

What's important is the way we say it. Art is all about craftsmanship. Others can interpret craftsmanship as style if they wish. Style is what unites memory or recollection, ideology, sentiment, nostalgia, presentiment, to the way we express all that. It's not what we say but how we say it that matters.

Money is everywhere but so is poetry. What we lack are the poets.

No critic writing about a film could say more than the film itself, although they do their best to make us think the oppposite.

I even see the cinema itself as a woman, with its alternation of light and darkness, of appearing and disappearing images

Even the most miserable life is better than a sheltered existence in an organized society where everything is calculated and perfected.

Don't forget that costumes, like dreams, are symbolic communication. Dreams teach us that a language for everything exists - for every object, every color worn, every clothing detail. Hence, costumes provide an aesthetic objectification that helps to tell the character's story.

We can all pretend to be cynical and scheming, but when we're faced with purity and innocence, the cynical mask drops off.

Even the most miserable life is better than a sheltered existence in an organized society where everything is calculated and perfected."

It's easier to be faithful to a restaurant than it is to a woman

Cinema is an old whore, like circus and variety, who knows how to give many kinds of pleasure. Besides, you can't teach old fleas new dogs

The only place where you can be a dictator and still be loved is on the movie set

If I'm a cruel satirist at least I'm not a hyprocrite: I never judge what other people do. Neither a politician nor a priest, I never censor what others do. Neither a philospher nor a psychiatrist, I never bother trying to analyze or resolve my fears and neuroses

Every time I start a picture ... I feel the same fear, the same self-doubts . . . and I have only one source on which I can draw, because it comes from within me.

Even if I set out to make a film about a fillet of sole, it would be about me.

The artist is the medium between his fantasies and the rest of the world.

A created thing is never invented and it is never true: it is always and ever itself.

You have to live spherically - in many directions. Never lose your childish enthusiasm - and things will come your way.

The visionary is the only realist.

Reality! But what does this word mean? Each has his own reality. I draw upon my personal reality upon the dark side of myself, my unconscious.

Going to the cinema is like returning to the womb; you sit there, still and meditative in the darkness, waiting for life to appear on the screen.

There is abundant testimony that if we choose love rather than self, we gain immeasurably.

Objects and their functions no longer had any significance. All I perceived was perception itself, the hell of forms and figures devoid of human emotion and detached from the reality of my unreal environment. I was an instrument in a virtual world that constantly renewed its own meaningless image in a living world that was itself perceived outside of nature. And since the appearance of things was no longer definitive but limitless, this paradisiacal awareness freed me from the reality external to myself. The fire and the rose, as it were, became one.

Like many people, I have no religion, and I am just sitting in a small boat drifting with the tide. I live in the doubts of my duty.... I think there is dignity in this, just to go on working.... Today we stand naked, defenseless, and more alone than at any time in history. We are waiting for something, perhaps another miracle, perhaps the Martians. Who knows?

I spent my life trying to cure myself of my education.

Regrets are a waste of time. They're the past crippling you in the present.

Fate is written in the face.

When I do things without any explanation, but just with spontaneity...I can be sure that I am right.

Nothing is more honest than a dream.

You exist only in what you do.

Nothing is sadder than laughter; nothing more beautiful, more magnificent, more uplifting and enriching than the terror of deep despair.

No matter what happens, always Keep your childhood innocence. It's the most important thing.

One of the greatest handicaps is to fear a mistake. You have stopped yourself. You have to move freely into the arena, not just to wait for the perfect situation, the perfect moment... If you have to make a mistake, it's better to make a mistake of action than one of inaction. If I had the opportunity again, I would take chances.

I think that one can have luck if one tries to create an atmosphere of spontaneity.

I'm just a storyteller, and the cinema happens to be my medium. I like it because it recreates life in movement, enlarges it, enhances it, distills it. For me, it's far closer to the miraculous creation of life than, say, a painting or music or even literature. It's not just an art form; it's actually a new form of life, with its own rhythms, cadences, perspectives and transparencies. It's my way of telling a story.

If there were a little more silence, if we all kept quiet...maybe we could understand something.

I never make moral judgments; I'm not qualified to do so. I am not a censor, a priest, or a politician.

Money is everywhere, but so is poetry. What we lack are the poets.

As a writer and director, I want to know what is behind the good manners and soft voice. Who is inside the silhouette?

Our duty as storytellers is to bring people to the station. There each person will choose his or her own train...But we must at least take them to the station...to a point of departure.

For people who live in the imagination, there is no lack of subjects. To seek for the exact moment at which inspiration comes is false. Imagination floods us with suggestions all the time, from all directions.

Never trust a woman who doesn't like to eat. She is probably lousy in bed.

It is only when I am doing my work that I feel truly alive.

Don't tell me what I'm doing; I don't want to know.

Marriage is a tyranny, a mortification of man's natural instincts. Man needs a multiplicity of relationships.

Our minds can shape the way a thing will be because we act according to our expectations.

I always direct the same film. I can't distinguish one from the other.

An artist is a provincial who finds himself somewhere between a physical reality and a metaphysical one. It's this in-between that I'm calling a province, this frontier country between the tangible world and the intangible one. That is the realm of the artist.

You see me in my most virile moment when you see me doing what I do. When I am directing, a special energy comes upon me. ... It is only when I am doing my work that I feel truly alive. It is like having sex.

The greatest danger for artists is total freedom.

As I don't consider myself exceptional, but simply a storyteller, each of my stories is really a period of my life. Deep down I feel that criticism of my work-which is the most sincere and authentic vision of myself-is unsuitable and immodest, whether it is favorable or unfavorable.

I don't believe in total freedom for the artist. Left on his own, free to do anything he likes, the artist ends up doing nothing at all. If there's one thing that's dangerous for an artist, it's precisely this question of total freedom, waiting for inspiration and all the rest of it.

Marriage, if it is to survive, must be treated as the beginning, not as the happy ending.

Talking about dreams is like talking about movies, since the cinema uses the language of dreams; years can pass in a second and you can hop from one place to another. It's a language made of image. And in the real cinema, every object and every light means something, as in a dream.

We must get beyond passions, like a great work of art. In such miraculous harmony. We should learn to love each other so much to live outside of time... detached.

The picture is in your head, in your imagination, everything.

I claim the right to contradict myself. I don't want to deprive myself of the right to talk nonsense, and I ask humbly to be allowed to be wrong sometimes.

Freedom, especially a woman's freedom, is a conquest to be made, not a gift to be received. It isn't granted. It must be taken.

A creator always needs excuses.

The beauty of life are women, no one loves them as much as me. I adore them all, the ugly, the beautiful, the cold, the sexy and especially those that are from cinema material, shadow and light.

Peellaert's comic strips were the literature of intelligence, imagination and romanticism.