FKA twigs quotes:

I don't know if I'm a tortured soul, but I was born heartbroken. I remember feeling it when I was so young. I was like, 'Mum, it hurts.'

I love things that are harsh and things that are too loud. And I love lulling people into a false sense of security. That's life.

I love my music, so I want to produce, write, and serve my music. I've had to learn about EQ frequencies and programming and space and clutter and how to be a better piano or bass player - everything.

In school, I had a tough time fitting in, and dancing was my way of being in my own element. As a teenager, I became a bit disillusioned with it. Even with competitions, I'd win, but still there would be tears.

A few years ago, I found out that there's a lot of Gypsy blood on my mother's side. I'm wild in that way - I've been brought up to do my own thing.

Fashion's important to me, but beauty fades. All that stuff is fun while it lasts, but anything can happen tomorrow. You've got to have so much more about you than the way you look or your clothes.

I'm a strange person - I don't really get rewards out of how many hits I have on YouTube. I love it, and I'm grateful, and it's important to me. But does it equal peace within me? No, it doesn't.

Half of my life, I've had people staring at me because they think I'm funny-looking and ugly. The other half of my life, I've had people staring at me because they think I'm fascinating. Everything neutralises. It's more of a statement on society and how weird it is.

I spent my whole teenage life trying to get to London and go to dance school, but when I got there, I couldn't wait to get to the clubs on weekends. I knew I wanted to make music.

Obviously I know if you're putting yourself out there, saying, 'Hey! Listen to my music!,' with pictures of yourself in the magazines, then people are going to judge you. 'I hate her music. I hate her hair. I hate her production. I hate her videos.' Fine: don't care. That's the great thing about art: it's not for everyone.

I once said to a boy, 'You're a really good kisser,' and he said, 'You're only as good as the person you're kissing.' I think it's the same with the music.

Being beautiful isn't everything... Sometimes it's interesting to show how you feel on the inside on the outside, just through expressing yourself.

I'm not thirsty. I'm not a pop star. I don't want to reign over all forever... I don't want to be famous! It makes me feel sick, the thought of being a famous person. It's just not me.

When I was younger, I had conversations with friends about wanting to create something different. Every young musician probably thinks that. But it's difficult to do, because there are only so many words, notes, melodies, songs. But as soon as I stopped thinking and started feeling, it worked. I didn't realize it till I was done.

You have to recognize at some point that even though you have the passion and creative level to be able to do something, you might have to do a lot of prep. Sometimes you just can't do it as quickly as you want to do it.

Vulnerability is the strongest state to be in. How boring would it be if we were constantly dominant or constantly submissive?

Twigs has been my nickname for years, and I guess a lot of people close to me called me Twigs, like, as a nickname. Before I even did dancing properly or anything, like, substantially creative, I was still Twigs.

Textures apply to everything I do. Even within my music, I like smooth things, and then hard and fluffy things, all giving them their place to shine.

It's really easy to project this whole ideology of what being an artiste is, and I'm just not down with intellectualizing it. I just think, if you feel like doing something, then do it.

I've never been into the typical R&B voice, with runs and bluesy sounding words. That doesn't suit me.

Sometimes I feel 15; other times, I feel fully grown and mature and handling all my business. It can waver from day to day, hour to hour.

I don't know any Beatles songs. My dad never listened to Elvis or Sting or Bowie. Any band name that's on a t-shirt, I probably won't know their music, like AC/DC or whatever. I don't know what that is. As a kid, I would sing along to artists like Tania Maria.

I write exactly what I think. If it's a raw subject, I write lots of things and then pull out all the fluff words.

I'm appealing to people who want something different, but the world, on the whole, doesn't really embrace different things. Not on the whole.

If you're an artist, you have to use everything to your advantage, even the pain.

I was always the poor kid, even though I very much tried to pretend to be the other way. Always well presented. Always really active in the school, doing fashion shows, plays, involved in every single aspect of the school. Overcompensating, I think, for the fact that I knew I wouldn't be going on the ski trip every January.

No boyfriend wants to see their girlfriend in a video with a big, handsome black dude feeding his fingers into her mouth, do they? But that concept is my expression, and boyfriends have to deal with that, don't they?

I'm in so many videos. There was a period of about two years where I danced for everyone: Kylie Minogue, Ed Sheeran, Jessie J, Taio Cruz. It got to the point where my fees were double the other girls', and I wouldn't even have to audition. They'd call my agent directly and say, 'We want twigs to come in.'

I always felt like Tahliah's a very grown-up name to have. It's a pretty name when you're young, and then I think when I became a young lady, it felt kind of like a lot to grow into for some reason. I don't know. It sounds kind of regal. I never really liked it. I always felt like I couldn't live up to it.

Being a gal, people can be a bit patronizing. 'Oh, look at you using the computer.' They would never say that to a boy. And I don't let them do it to me.

I really enjoy the fun of putting something out and people liking it or hating it or talking about it, but vacuous attention, it feels disgusting. It's like a hangover.

I was never the pretty girl at school. I'm tiny and mixed-race. I grew up in a white area. I was always the loner.

When I first put out music, people didn't know what I looked like. They called it a new type of something; they couldn't put a genre on it - it was where indie and urban kind of meet in the middle. I thought that was quite exciting.

I think we live in a culture where it is really difficult to get privacy because everything is so accessible. It's very difficult to maintain your comfortable life with a sort of mystique.

I want people to see what's inside my head rather than just looking at me.

What makes me happy is having a really nice day out with my mum, or getting better at something I've been working hard at.

I'm a very free woman, and maybe freedom is erotic in that way. Maybe it's conceived of as something dangerous, and dangerous - in that creative and wild way - is sensuous and erotic. For me it's more about making what I feel, but there's always a reason, a level of integrity and classical expression in what I do.

I'm a little bit older, I've traveled the world, spent lots of time in New York and Paris and lots of inspiring places, and I still feel alien.

I don't want to be in front of the camera forever. I'm not thirsty. I'm not a pop star. I don't want to reign over all forever. I don't want to be famous! It makes me feel sick, the thought of being a famous person. It's just not me. I'm the happiest when I'm in the studio, not on a beauty parade.

I really keep my life very simple.

I just try to keep my dignity and carry on with my day.

I'm a country girl, raised in Gloucestershire, England. But my family encouraged me to travel, and I wanted to experience the world. Maybe that's not traditional, but my values have stayed strong. Perhaps that's where wanting to have children comes into it: I'll always be making work; I guess when - and if - I have children, I'll have them with me.

If I want to dress myself a certain way, I don't want to have to rely on someone else to do it for me.

The idea's the idea: It's about what you do, and not who you are.

I hope to do a visual for every â?¨single thing, even if it's as small as a gif or as big as a whole dance music film.

I don't know if I'm a tortured soul, but I was born heartbroken. I remember feeling it when I was so young. â?¨ I was like, â??Mum, it hurts.'

When I first put out music, people didn't know what I looked like. They called it a new type of something, they couldn't put a genre on it - it was where indie and urban kind of meet in the middle. I thought that was quite exciting.

I have amazing collaborators as well, but I want to learn more and be a self-contained unit.

I do have traditional values: I believe in being a good person and being polite.

When I was very young I wanted to be an opera singer, a ballet dancer... The people I loved were a little different.

I've lived in the same place in London for the last seven years, I go and get my shopping, I get on buses, and [all the rest] is pretty much outside of who I am.

I think 'fan' implies somebody who's submissive, sycophantic, in awe of everything you're doing.

I don't understand people's obsessions.

We live in a very strange world where everything is so accessible; if you like one song someone did, you can see what they ate for breakfast or what kind of sunglasses they wore.

I don't think it's realistic for someone to have an undying loyalty to everything you ever make.

I've been inspired by people's work, but I never grew up with posters on my bedroom wall or obsessed with one person.