David Ogilvy quotes:

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  • Advertising is a business of words, but advertising agencies are infested with men and women who cannot write. They cannot write advertisements, and they cannot write plans. They are helpless as deaf mutes on the stage of the Metropolitan Opera.

  • Advertising people who ignore research are as dangerous as generals who ignore decodes of enemy signals.

  • If you ever have the good fortune to create a great advertising campaign, you will soon see another agency steal it. This is irritating, but don't let it worry you; nobody has ever built a brand by imitating somebody else's advertising.

  • A good advertisement is one which sells the product without drawing attention to itself.

  • The relationship between a manufacturer and his advertising agency is almost as intimate as the relationship between a patient and his doctor. Make sure that you can life happily with your prospective client before you accept his account.

  • I notice increasing reluctance on the part of marketing executives to use judgment; they are coming to rely too much on research, and they use it as a drunkard uses a lamp post for support, rather than for illumination.

  • The more informative your advertising, the more persuasive it will be.

  • Much of the messy advertising you see on television today is the product of committees. Committees can criticize advertisements, but they should never be allowed to create them.

  • I have a theory that the best ads come from personal experience. Some of the good ones I have done have really come out of the real experience of my life, and somehow this has come over as true and valid and persuasive.

  • Like a midwife, I make my living bringing new babies into the world, except that mine are new advertising campaigns.

  • Many manufacturers secretly question whether advertising really sells their product, but are vaguely afraid that their competitors might steal a march on them if they stopped.

  • There are very few men of genius in advertising agencies. But we need all we can find. Almost without exception they are disagreeable. Don't destroy them. They lay golden eggs.

  • Ninety-nine percent of advertising doesn't sell much of anything.

  • The most important word in the vocabulary of advertising is TEST. If you pretest your product with consumers, and pretest your advertising, you will do well in the marketplace.

  • The headline is the 'ticket on the meat.' Use it to flag down readers who are prospects for the kind of product you are advertising.

  • I avoid clients for whom advertising is only a marginal factor in their marketing mix. They have an awkward tendency to raid their advertising appropriations whenever they need cash for other purposes.

  • Never stop testing, and your advertising will never stop improving.

  • Advertising reflects the mores of society, but it does not influence them.

  • What really decides consumers to buy or not to buy is the content of your advertising, not its form.

  • I don't know the rules of grammar... If you're trying to persuade people to do something, or buy something, it seems to me you should use their language, the language they use every day, the language in which they think. We try to write in the vernacular.

  • Advertising is only evil when it advertises evil things.

  • If each of us hires people who are smaller than we are, we shall become a company of dwarfs. But if each of us hires people who are bigger than we are, we shall become a company of giants.

  • Can advertising foist an inferior product on the consumer? Bitter experience has taught me that it cannot. On those rare occasions when I have advertised products which consumer tests have found inferior to other products in the same field, the results have been disastrous.

  • Remove advertising, disable a person or firm from proclaiming its wares and their merits, and the whole of society and of the economy is transformed. The enemies of advertising are the enemies of freedom.

  • It is flagrantly dishonest for an advertising agent to urge consumers to buy a product which he would not allow his own wife to buy.

  • Many people - and I think I am one of them - are more productive when they've had a little to drink. I find if I drink two or three brandies, I'm far better able to write.

  • I do not regard advertising as entertainment or an art form, but as a medium of information.

  • Political advertising ought to be stopped. It's the only really dishonest kind of advertising that's left. It's totally dishonest.

  • What you say in advertising is more important than how you say it.

  • Some manufacturers illustrate their advertisements with abstract paintings. I would only do this if I wished to conceal from the reader what I was advertising.

  • The best ideas come as jokes. Make your thinking as funny as possible.

  • The consumer isn't a moron; she is your wife.

  • First, make yourself a reputation for being a creative genius. Second, surround yourself with partners who are better than you are. Third, leave them to go get on with it."

  • The consumer isn't a moron; she is your wife. You insult her intelligence if you assume that a mere slogan and a few vapid adjectives will persuade her to buy anything. She wants all the information you can give her.

  • I did not feel 'evil' when I wrote advertisements for Puerto Rico. They helped attract industry and tourists to a country which had been living on the edge of starvation for 400 years.

  • To advertisers: "Do not compete with your agency in the creative area. Why keep a dog and bark yourself?"

  • I never tell one client that I cannot attend his sales convention because I have a previous engagement with another client; successful polygamy depends upon pretending to each spouse that she is the only pebble on your beach.

  • Never write an advertisement which you wouldn't want your family to read. You wouldn't tell lies to your own wife. Don't tell them to mine.

  • Managing an advertising agency isn't all beer and skittles. After fourteen years of it, I have come to the conclusion that the top man has one principle responsibility: to provide an atmosphere in which creative mavericks can do useful work.

  • There is no need for advertisements to look like advertisements. If you make them look like editorial pages, you will attract about 50 per cent more readers.

  • Always hold your sales meetings in rooms too small for the audience, even if it means holding them in the WC. 'Standing room only' creates an atmosphere of success, as in theatres and restaurants, while a half-empty auditorium smells of failure.

  • It strikes me as bad manners for a magazine to accept one of my advertisements and then attack it editorially - like inviting a man to dinner then spitting in his eye.

  • A well-run restaurant is like a winning baseball team. It makes the most of every crew member's talent and takes advantage of every split-second opportunity to speed up service.

  • Every advertisement should be thought of as a contribution to the complex symbol which is the brand image.

  • Any damn fool can put on a deal, but it takes genius, faith and perseverance to create a brand.

  • You now have to decide what 'image' you want for your brand. Image means personality. Products, like people, have personalities, and they can make or break them in the market place.

  • Most headlines are set too big to be legible in the magazines or newspaper. Never approve a layout until you have seen it pasted into the magazine or newspaper for which it was destined. If you pin up the layouts on a bulletin board and appraise them from fifteen feet, you will produce posters.

  • It takes a big idea to attract the attention of consumers and get them to buy your product. Unless your advertising contains a big idea, it will pass like a ship in the night. I doubt if more than one campaign in a hundred contains a big idea.

  • On the average, five times as many people read the headline as read the body copy. When you have written your headline, you have spent eighty cents out of your dollar.

  • Claude Hopkins.. maintained that nobody with a college education could write an advertisement addressed to the mass millions. That's absolute poppycock.

  • Shakespeare wrote his sonnets within a strict discipline, fourteen lines of iambic pentameter, rhyming in three quatrains and a couplet. Were his sonnets dull? Mozart wrote his sonatas within an equally rigid discipline - exposition, development, and recapitulation. Were they dull?.

  • The manufacturer who finds himself up the creek is the short-sighted opportunist who siphons off all his advertising dollars for short-term promotions.

  • Set exorbitant standards, and give your people hell when they don't live up to them. There is nothing so demoralizing as a boss who tolerates second rate work.

  • The secret of long life is double careers. One to about age sixty, then another for the next thirty years.

  • Does advertising corrupt editors? Yes it does, but fewer editors than you may suppose... the vast majority of editors are incorruptible.

  • Viewers have a way of remembering the celebrity while forgetting the product. I did not know this when I paid Eleanor Roosevelt $35,000 to make a commercial for margarine. She reported that her mail was equally divided. "One half was sad because I had damaged my reputation. The other half was happy because I had damaged my reputation." Not one of my proudest memories.

  • Headlines can be strengthend by the inclusion of emotional words like darling, love, fear, proud, friend and baby.

  • Develop your eccentricities while you are young. That way, when you get old, people won't think you're going gaga.

  • Great marketing only makes a bad product fail faster.

  • If you have all the research, all the ground rules, all the directives, all the data - it doesn't mean the ad is written. Then you've got to close the door and write something - that is the moment of truth which we all try to postpone as long as possible.

  • On the average, five times as many people read the headlines as read the body copy.

  • I once used the word OBSOLETE in a headline, only to discover that 43 per cent of housewives had no idea what it meant. In another headline, I used the word INEFFABLE, only to discover that I didn't know what it meant myself.

  • Give people a taste of Old Crow, and tell them it's Old Crow. Then give them another taste of Old Crow, but tell them it's Jack Daniel's. Ask them which they prefer. They'll think the two drinks are quite different. They are tasting images

  • Our business is infested with idiots who try to impress by using pretentious jargon.

  • The advertisers who believe in the selling power of jingles have never had to sell anything.

  • Candor compels me to admit that I have no conclusive research to support my view that jingles are less persuasive than the spoken word. You'd run like hell if a salesman came to your door and began singing at you. Why do it in advertising?

  • It's the lack of ambition that cripples most people, and makes them so pedestrian in the advertising/creative business

  • Madison Avenue is full of masochists who unconsciously provoke rejection by their clients. I know brilliant men who have lost every account they have ever handled.

  • Good copy can't be written with tongue in cheek, written just for a living. You've got to believe in the product.

  • I always said that mega-mergers were for megalomaniacs.

  • In the modern world of business, it is useless to be a creative, original thinker unless you can also sell what you create.

  • My motto has always been: Only first class business and that in a first class way

  • Leaders grasp nettles.

  • A lot of today's campaigns are based on optimum positioning but are totally ineffective - because they are dull, or badly constructed, or ineptly written. If nobody reads your advertisement or looks at your commercial, it doesn't do you much good to have the right positioning.

  • Don't bunt. Aim out of the ball park. Aim for the company of immortals.

  • Play to win, but enjoy the fun.

  • There is one catagory of advertising which is totally uncontrolled and flagrantly dishonest: the television commercials for candidates in Presidential elections.

  • The pursuit of excellence is less profitable than the pursuit of bigness, but it can be more satisfying.

  • Nobody ever arrives at a very big idea through a conscious, rational thought process. It comes from your unconscious.

  • Hire people who are better than you are, then leave them to get on with it. Look for people who will aim for the remarkable, who will not settle for the routine.

  • At 60 miles an hour the loudest noise in this Rolls-Royce comes from the electric clock.

  • Does advertising corrupt editors? Yes it does, but fewer editors than you may suppose... the vast majority of editors are incorruptible

  • I don't know the rules of grammar. If you're trying to persuade people to do something, or buy something, it seems to me you should use their language.

  • The consumer isn't a moron. She is your wife.

  • Sound an alarm! Advertising, not deals, builds brands.

  • Any fool can write a bad advertisement, but it takes a genius to keep his hands off a good one.

  • Training should not be confined to trainees. It should be a continuous process, and should include the entire professional staff of the agency. The more our people learn, the more useful they can be to our clients.

  • We like people who are honest. Honest in argument, honest with clients, honest with suppliers, honest with the company - and above all, honest with consumers.

  • We admire people who work hard, who are objective and thorough. We detest office politicians, toadies, bullies, and pompous asses. We abhor ruthlessness. The way up our ladder is open to everybody. In promoting people to top jobs, we are influenced as much by their character as anything else.

  • I always use my clients' products. This is not toady-ism, but elementary good manners.

  • You have only 30 seconds in a TV commercial. If you grab attention in the first frame with a visual surprise, you stand a better chance of holding the viewer. People screen out a lot of commercials because they open with something dull. When you advertise fire-extinguishers, open with the fire.

  • First, make yourself a reputation for being a creative genius. Second, surround yourself with partners who are better than you are. Third, leave them to go get on with it.

  • If you ever find a man who is better than you are - hire him. If necessary, pay him more than you pay yourself.

  • In most agencies, account executives outnumber the copywriters two to one. If you were a dairy farmer, would you employ twice as many milkers as you had cows?

  • The best idea is the simplest.

  • Tell the truth, but make the truth fascinating.

  • Don't count the people that you reach, reach the people who count

  • It is important to admit your mistakes, and to do so before you are charged with them. Many clients are surrounded by buckpassers who make a fine art of blaming the agency for their own failures. I seize the earliest opportunity to assume the blame.

  • When people aren't having any fun, they seldom produce good work. Kill the grimness with laughter. Encourage exuberance. Get rid of sad dogs that spread gloom.

  • Big ideas are usually simple ideas.

  • The worst fault a salesman can commit is to be a bore...... Pretend to be vastly interested in any subject the prospects shows an interest in.

  • Senior men have no monopoly on great ideas. Nor do creative people. Some of the best ideas come from account executives, researchers and others. Encourage this, you need all the ideas you can get.

  • Every ad is an investment in the long-term image of a brand.

  • I have noticed that agencies which are full of fun and ferment seem to create the best advertising. If you are not happy in advertising, for goodness sake find a job in which you would be happy. For as far as I know, we pass this way only once

  • I never write fewer than sixteen headlines for a single advertisement.

  • Nobody has ever built a brand by imitating somebody else's advertising.

  • It has been found that the less an advertisement looks like an advertisement and the more it looks like an editorial, the more readers stop, look, and read.

  • The psychiatrists say that everybody should have a hobby. The hobby I recommend is advertising

  • Within every brand is a product, but not every product is a brand.

  • I have a theory that the best ads come from personal experience. Some of the good ones I have done have really come out of the real experience of my life, and somehow this has come over as true and valid and persuasive. People love to read stories. They like to know you as a real person who has your struggle, pain, success and failure, etc. One well-known example is Jared Fogle's weight loss story which made millions of dollars for Subway. Start to collect your stories from today and use them in your ad campaigns.

  • Agencies which frequently work nights and weekends are more stimulating, more successful - and more profitable.

  • Don't hire a dog, then bark yourself

  • You arenĂ¢??t advertising to a standing army; you are advertising to a moving parade.

  • It follows that unless your headline sells your product, you have wasted 90 percent of your money...

  • Talent, I believe, is most likely to be found among nonconformists, dissenters, and rebels.

  • Never write more than two pages on any subject.

  • As a private person, I have a passion for landscape, and I have never seen one improved by a billboard. Where every prospect pleases, man is at his vilest when he erects a billboard. When I retire from Madison Avenue, I am going to start a secret society of masked vigilantes who will travel around the world on silent motor bicycles, chopping down posters at the dark of the moon. How many juries will convict us when we are caught in these acts of beneficent citizenship?

  • If it doesn't sell, it isn't creative.

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