David Mamet quotes:

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  • I'm afraid of only two things: being lazy and being cowardly. I get up early in the morning and go to work. I love to write.

  • My idea of perfect happiness is a healthy family, peace between nations, and all the critics die.

  • They say you can't study Kabbalah until you are at least 40 years old. You know why? You have to have experienced at least one generation making the same mistakes as the previous one.

  • War is tragedy. The great war stories are tragedies. It's the failure of diplomacy. 'War and Peace,' 'A Farewell to Arms,' 'For Whom the Bell Tolls.' Those are some of the greatest tragedies.

  • American football seems to resemble soccer in that one scores by putting the ball through the opponent's goal; but football, truly is about land. The Settlers want to move the line of scrimmage Westward, the Native Americans want to move it East.

  • The Founders recognized that Government is quite literally a necessary evil, that there must be opposition, between its various branches, and between political parties, for these are the only ways to temper the individual's greed for power and the electorates' desires for peace by submission to coercion or blandishment.

  • Old age and treachery will always beat youth and exuberance.

  • A play is basically a long, formalistic polemic. You can write it without the poetry, and if you do, you may have a pretty good play. We know this because we see plays in translation. Not many people speak Norwegian or Danish or whatever guys like Ibsen spoke, or Russian - yet we understand Chekhov and the others.

  • My dad was a labour lawyer, and the ideas that I grew up with - bad management, bad capitalism, robber barons - when I applied this to my own life, I saw that we are all on both sides of the coin.

  • You can't write about history without writing about politics at some point. History is about movements of people. 'What is criminality and what is government' is a theme that runs through every history.

  • The Israelis would like to live in peace within their borders; the Arabs would like to kill them all.

  • Policemen so cherish their status as keepers of the peace and protectors of the public that they have occasionally been known to beat to death those citizens or groups who question that status.

  • I understand that computers, which I once believed to be but a hermaphrodite typewriter-cum-filing cabinet, offer the cyber literate increased ability to communicate. I do not think this is altogether a bad thing, however it may appear on the surface.

  • A liberal pretending to be a conservative? That's like a straight person pretending to be gay to get greater acceptance.

  • One person may need (or want) more leisure, another more work; one more adventure, another more security, and so on. It is this diversity that makes a country, indeed a state, a city, a church, or a family, healthy. 'One-size-fits-all,' and that size determined by the State has a name, and that name is 'slavery.'

  • Writing a novel is an incredibly free experience. One puts one's self in a narrative mode. You can go off in any direction - the past, the future, or go laterally, or include one's own beliefs. It's total freedom.

  • Obama is a tyrant the same way FDR was a tyrant. He has a view of presidential power that states: the government is in control of the country, and the president is in charge of the government. He's taken an imperial view of the presidency.

  • I'm entitled to my political opinions, and I get to vote because I'm an American.

  • The honest man might observe... that no one gets something for nothing; that politicians go in poor and go out rich; that the Government screws up everything it touches; and that the Will to Believe is best confined to the Religious Venue, as to practice it elsewhere is just too damned expensive.

  • In my family, in the days prior to television, we liked to while away the evenings by making ourselves miserable, solely based on our ability to speak the language viciously.

  • Here's what happens in a play. You get involved in a situation where something is unbalanced. If nothing's unbalanced, there's no reason to have a play. If Hamlet comes home from school, and his dad's not dead and asks him if he's had a good time, it's boring. But if something's unbalanced, it must be returned to order.

  • There's nothing in the world more silent than the telephone the morning after everybody pans your play. It won't ring from room service; your mother won't be calling you. If the phone has not rung by 8 in the morning, you're dead.

  • My greatest fear is that the audience will beat me to the punch line.

  • I hate vacations. There's nothing to do.

  • In practice we, in the world, must do business with each other.

  • It's upsetting to be a man in our society.

  • My definition of a 'friend' is, coming from Chicago, someone who says, 'Yeah, sure. You know what? Let's talk about what we can talk about. Let's help each other out. Your politics are none of my business.'

  • You get rich through luck. You get rich through crime. You get rich through fulfilling the needs of another. You can be as greedy as you like. If you can't do one of those three things, you ain't going to get any money.

  • Movies were never an art form, they were entertainment. It just evolved into an art form from there, and it's still evolving in different ways.

  • I hate the computer. I hate their spell-check. I won't ever do e-mail.

  • Culture exists and evolves to relegate to habit categories of interactions the constant conscious reference to which would make human interaction impossible.

  • What I value most in my friends is loyalty.

  • I love working on a typewriter - the rhythm, the sound; it's like playing the piano, which I do, too.

  • You know, young actors say all the time, 'Should I use my own life experience?' And my response is, 'What choice do you have?'

  • A stage play is basically a form of uber-schizophrenia. You split yourself into two minds - one being the protagonist and the other being the antagonist. The playwright also splits himself into two other minds: the mind of the writer and the mind of the audience.

  • If you're writing an opinion piece, it's your job to write your opinion. If, on the other hand, you wrote a novel, as Virginia Woolf tells us, it would be inappropriate if you let your novel be influenced by your political opinions.

  • It's hard for a Jew of my generation, an American Jew, who is philo-Zionistic, not to romanticize Israel.

  • Being among my people is a delight. We Jews live among ourselves. I love it.

  • I look back on my liberal political beliefs with a sort of wonder - as another exercise in self-involvement - rewarding myself for some superiority I could not logically describe.

  • I look back upon my Liberal political beliefs with a sort of wonder - as another exercise in self-involvement - rewarding myself for some superiority I could not logically describe.

  • Society functions in a way much more interesting than the multiple-choice pattern we have been rewarded for succeeding at in school. Success in life comes not from the ability to choose between the four presented answers, but from the rather more difficult and painfully acquired ability to formulate the questions.

  • My alma mater is the Chicago Public Library.

  • My alma mater is the Chicago Public Library. I got what little educational foundation I got in the third-floor reading room, under the tutelage of a Coca-Cola sign.

  • Films have degenerated to their original operation as carnival amusement - they offer not drama but thrills.

  • The so-called assault weapons ban is a hoax. It is a political appeal to the ignorant. The guns it supposedly banned have been illegal for 78 years. Did the ban make them 'more' illegal? The ban addresses only the appearance of weapons, not their operation.

  • The government, for example, has determined that black people (somehow) have fewer abilities than white people, and, so, must be given certain preferences. Anyone acquainted with both black and white people knows this assessment is not only absurd but monstrous. And yet it is the law.

  • Being a writer in Hollywood is like going to Hitler's Eagle Nest with a great idea for a bar mitzvah.

  • One can read all one wants, and spend eternities in front of a blackboard with a tutor, but one is not going to learn to swim until one gets in the water.

  • We recipients of the boon of liberty have always been ready, when faced with discomfort, to discard any and all first principles of liberty, and, further, to indict those who do not freely join with us in happily arrogating those principles.

  • When the three branches of government have failed to represent the citizenry and the mass of the media has failed to represent the citizenry, then the citizenry better represent the citizenry.

  • The Oscars demonstrate the will of the people to control and judge those they have elected to stand above them (much, perhaps, as in bygone days, an election celebrated the same).

  • They say the definition of ambivalence is watching your mother-in-law drive over a cliff in your new Cadillac.

  • You want to get Capone? Here's how you get him: he pulls a knife, you pull a gun, he sends one of yours to the hospital, you send one of his to the morgue. It's the Chicago way and that's how you get Capone.

  • In Chicago, we love our crooks!

  • A good film script should be able to do completely without dialogue.

  • In a restaurant one is both observed and unobserved. Joy and sorrow can be displayed and observed "unwittingly," the writer scowling naively and the diners wondering, What the hell is he doing?

  • We must have a pie. Stress cannot exist in the presence of a pie.

  • My tendency as an actor was to correct people, was to say, 'What if we tried it this way, what about if we tried that way?' That's terrible habit for an actor, but that's a good habit for director. So I became a director.

  • Art and mass entertainment and propaganda, they can all be plotted on the same graph, but there is a difference.

  • I took the liberal view for many decades, but I believe I have changed my mind.

  • In a world we find terrifying, we ratify that which doesn't threaten us.

  • You know, I once read an interesting book which said that, uh, most people lost in the wilds, they, they die of shame. Yeah, see, they die of shame. 'What did I do wrong? How could I have gotten myself into this?' And so they sit there and they... die. Because they didn't do the one thing that would save their lives. Thinking.

  • The avant-garde is to the left what jingoism is to the right. Both are a refuge in nonsense.

  • The essence of jiu-jitsu is philosophy.

  • Each culture has its own form of staged combat, evolved from its particular method of street fighting and cleaned up for presentation as a spectacle, e.g. savate, Cornish wrestling, karate, kung-fu.

  • I love all insider memoirs. It doesn't matter whether it's truck-drivers or doctors. I think everybody likes to go backstage, find out what people think and what they talk about and what specialised job they have.

  • The greater the intellect, the more ease in its misdirection.

  • Mixed martial arts was invented by Brazilians, whose families had been trained by the Japanese. Those Brazilians came to the U.S., where their invention was bought out, gussied up and presented to the world, which found it good.

  • We Americans have always considered Hollywood, at best, a sinkhole of depraved venality. And, of course, it is. It is not a Protective Monastery of Aesthetic Truth. It is a place where everything is incredibly expensive.

  • A dramatic experience concerned with the mundane may inform but it cannot release; and one concerned essentially with the aesthetic politics of its creators may divert or anger, but it cannot enlighten.

  • I grew up in a tough neighborhood and we used to say you can get further with a kind word and a gun than just a kind word.

  • I like Bach. I like Randy Newman.

  • Every reiteration of the idea that nothing matters debases the human spirit.

  • Hitchcock denigrated American films, saying they were all 'pictures of people talking' - as, indeed, most of them are.

  • I've always been fascinated by the picaresque.

  • Conservatives believe in smaller government and in the power of the electorate. So I think that we're less likely to try to use a dramatic forum to warp people's political views.

  • I was fortunate enough to have a rambling youth.

  • I'm responding to the will of the people.

  • All rhetorical questions are accusations.

  • The leaf of the camomile, parboiled in water, conduces to calm. And yet I do not worship it.

  • I've always been more comfortable sinking while clutching a good theory than swimming with an ugly fact.

  • It's only words... unless they're true.

  • The subject of drama is The Lie. At the end of the drama THE TRUTH -- which has been overlooked, disregarded, scorned, and denied -- prevails. And that is how we know the Drama is done.

  • The most charming of theories holds that someone other than Shakespeare wrote Shakespeare's plays -- that he was of too low a state, and of insufficient education. But where in the wide history of the world do we find art created by the excessively wealthy, powerful, or educated?

  • I've been training in Jiu-jitsu for about six years and I'm very fortunate to live in that world. All the fighters hang out and have lunch together just about every day and trade stories. And I've always been fascinated how in the world of Jiu-jitsu in L.A. everybody in the fight world - cops, special forces, bouncers, stuntmen - connected across different lines.

  • The basis of drama is... the struggle of the hero towards a specific goal at the end of which he realises that what kept him from it was, in the lesser drama, civilisation and, in the great drama, the discovery of something that he did not set out to discover but which can be seen retrospectively as inevitable.

  • The quality I most admire in a man is steadfastness.

  • Don't assume I'm dumb because I wear a suit and tie.

  • The main question in drama, the way I was taught, is always, 'What does the protagonist want?' That's what drama is. It comes down to that. It's not about theme, it's not about ideas, it's not about setting, but what the protagonist wants.

  • The poker player learns that sometimes both science and common sense are wrong; that the bumblebee can fly; that, perhaps, one should never trust an expert; that there are more things in Heaven and Earth than are dreamt of by those with an academic bent.

  • Liberalism is a religion. Its tenets cannot be proved, its capacity for waste and destruction demonstrated. But it affords a feeling of spiritual rectitude at little or no cost.

  • If, indeed, a firearm were more dangerous to its possessors than to potential aggressors, would it not make sense for the government to arm all criminals, and let them accidentally shoot themselves? Is this absurd? Yes, and yet the government, of course, is arming criminals.

  • I'm not an ascetic.

  • When we leave the play saying how spectacular the sets or costumes were, or how interesting the ideas, it means we had a bad time.

  • I'm afraid of only two things: being lazy and being cowardly.

  • I've been alienating my public since I was 20 years old. When 'American Buffalo' came out on Broadway, people would storm out and say, 'How dare he use that kind of language!' Of course I'm alienating the public! That's what they pay me for.

  • My dad was an immigrant kid and a Democrat and a Jew, and we didn't know any Republicans in our group. So I grew up Democratic. My dad was a labor lawyer - a very hardworking guy, a one-horse labor lawyer - and then I went to hippie college and lived in the bubble.

  • I know very well what it is to be out of work and to be cheated by employers and I know what it is to be an employer.

  • I didn't knowingly meet a conservative until, to my shame, I was 60 years old and sat down and said, 'Wow, I don't understand what this guy's talking about, but he has a great civility about him. Perhaps I better investigate this thing.'

  • The liberals in my neighbourhood wouldn't give away Brentwood to the Palestinians, but they want to give away Tel Aviv.

  • The product of the artist has become less important than the fact of the artist. We wish to absorb this person. We wish to devour someone who has experienced the tragic. In our society this person is much more important than anything he might create.

  • I used to think I'd like to be a fireman - in fact, I still would - and the only drawback I could see was coming back to the firehouse, after a day of fighting fires, and still having to put in an eight-hour day writing.

  • Always tell the truth - it's the easiest thing to remember.

  • I'm not the guy to ask about politics. I'm a gag writer.

  • Roll back the clock, and every possession of every great country started with a crime.

  • People may or may not say what they mean... but they always say something designed to get what they want.

  • It's hard to write a good play because it's hard to structure a plot. If you can think of it off the top of your head, so can the audience.

  • There's no such thing as talent; you just have to work hard enough.

  • There's something in me that just wants to create dialogue.

  • It is not the constitutional prerogative of the Government to determine needs.

  • Every scene should be able to answer three questions: "Who wants what from whom? What happens if they don't get it? Why now?

  • We all die in the end, but there's no reason to die in the middle.

  • Having spent too many years in show business, the one thing I see that succeeds is persistence. It's the person who just ain't gonna go home. I decided early on that I wasn't going to go home. This is what I'll be doing until they put me in jail or in a coffin.

  • Opportunity may knock, but it seldom nags.

  • The job of the artist, is to say, wait a second, everything that we have thought is wrong. Let's re-examine it.

  • When you come into the theatre, you have to be willing to say, 'We're all here to undergo a communion, to find out what the hell is going on in this world.' If you're not willing to say that, what you get is entertainment instead of art, and poor entertainment at that.

  • It is the writerâ??s job to make the play interesting. It is the actorâ??s job to make the performance truthful.

  • Forget narrative, backstory, characterisation, exposition, all of that. Just make the audience want to know what happens next.

  • Anyone ever lost in the wild knows that nature wants you dead.

  • Encounter: Doubt, Shame, Humiliation. It will finally be worth it. Acting is more about courage than anything else.

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