Chris Carter quotes:

I wasn't a big science-fiction fan growing up. But I loved Jules Verne and Sherlock Holmes. Both came into play on 'The X-Files.'

People thought the storyline and characters for 'X-Files' made it a 'dark' show, but I never saw it that way. I always thought Mulder and Scully were the light in dark places.

I grew up a child of Watergate. It gave me a good dose of skepticism about authority. One of my favorite movies is 'All the President's Men.' Woodward and Bernstein, those guys were my heroes. I have a degree in journalism.

Learning to fly an airplane taught me a way of thinking, an approach to problem-solving that was applicable and effective. Pilots are very methodical and meticulous, and artists tend not to be.

So many things for me are unfortunate in the commercialization of something that is special. It's like when Led Zeppelin appears in Cadillac commercials. There's something that is taken away from your love of this thing and your connection to it.

You have these catch-phrases that you associate with 'The X-Files': 'Trust No One,' 'Deny Everything.' 'Believe the Lie' was one of them.

I've become very interested in the spectrum of political discourse as seen on the cable news channels that are conveniently right in a row on my cable provider's dial. I can flip from Fox to CNN to HLN to MSNBC, and I find myself at night flipping it back and forth through them, and it's something of an addiction.

The X-Files' from the beginning was a very visual show, and with Bob Mandel directing the pilot and Dan Sackheim being involved in the production of the pilot and directing the first episode, they brought a visual style to it that was elaborated on by so many good directors.

New Zealand totally rejects Japan's proposals to double the number of whales slaughtered in the Southern Ocean

I'm a big fan of Barack Obama. I think he carries a heavier burden and is held to a greater and higher standard than other candidates : I think there's a large, large portion of this country that feels disenfranchised and marginalized by the political process.

It's funny - I was a big fan of 'The Sopranos.' It became kind of a threat to 'The X-Files' in a way because they could play with language, character, and story in ways that we never could because of the limitations of network television.

If you look at 'The X-Files' generally, we did 202 episodes. About 80% of them are not 'mythology' episodes, which tend to be the epic episodes. They deal with the big conspiracies, the search for Mulder's sister. They deal with what I would call the 'saga' of 'The X-Files.'

I hope that I'm not simply defined by 'The X-Files,' and I hope I have more work that is important to do.

Respect yourself, your Opponent and the Game

I love jazz and funk, because it's hard. If it's not hard, it's not worth doing.

Really, some of the best 'X-Files' stories come right out of science. And you just apply that 'what-if' idea. Oh, what if this were true? And that's why so many times the show is scarier because it was not necessarily improbable.

I admired shows like 'Six Feet Under.' That was an amazing show. Never boring, always inventive, smart. Loved the characters. Completely original. Those are shows that I admire.

I think science is about the search for God; it just comes at it from a different angle than religion.

When something original works, then everyone wants to copy it. But if you're trying to do something that no one's ever seen before it's frightening.

Producing a series is like being Lewis and Clark: You know where you're going, you just don't know how you're going to get there. When people say, 'You should create a bible for your show,' I say, 'You don't want a bible. It'll prevent you from making discoveries along the way.' And that's what happened on 'The X-Files.'

There are things I'm doing with 'The After' that would've never flown on 'The X-Files' and on network television, so it's more permissive. That's not to say that you want to abuse that. I think that a show like 'The X-Files' actually worked better as a network show with the restraints put on it, the censorship that was applied.

I've been asked to do surfing movies over the years and offered several opportunities. I just felt that if I were to do one, I'd have to do the perfect surfing movie. And I don't know if that exists because surfing is such a personal thing.

It's so interesting that when I finished 'The X-Files' in 2002, the - call it the political and cultural climate in America - was one of fear, and trust of government. Because we put ourselves in the hands of the authority who was going to protect us. And, you know, we gave up a lot of our liberties to Homeland Security, etc.

The experience of seeing a surf movie in the 1970s, as a teenager, and the energy in those theatres, was amazing. It was the only way to see people surfing. These guys would go out and make these surf movies and bring them to four-wall theatres. It was an incredible experience that I'll never forget.

The real challenge in doing a TV show is in what I would call the maintenance energy. You take that creative energy and you use it every week, of course. But you then need to maintain the quality of the stories, and it's harder to do.

I've got funny things. David Duchovny had to have a cast made of his face to do an old person's make-up, and I've got that cast of his face in my house. I've got something from the pilot, the original implant that was in Billy Miles' head. I've got a sign from 'The Erlenmeyer Flask.' But my house isn't a museum to 'The X-Files!'

It's really hard to scare people on network television. You've got to be smart about it. You've got to parcel out the scares.

The X-Files' was a hard sell because people didn't know what it was. The network didn't understand what it was that they were buying, and at the beginning, they wanted us to have closure. They wanted us to put the cuffs on the bad guy at the end of each episode.

When the surf is really good, it's hard for me to concentrate on work. So I really have to watch when and where I surf - I won't get anything done if I get the fever. Then it's like I come into work and I'm wet and waterlogged and ready for lunch.

I think that you appreciate that there are extraordinary men and women and extraordinary moments when history leaps forward on the backs of these individuals, that what can be imagined can be achieved, that you must dare to dream, but that there's no substitute for perseverance and hard work and teamwork because no one gets there alone; and that, while we commemorate the... the greatness of these events and the individuals who achieve them, we cannot forget the sacrifice of those who make these achievements and leaps possible.

There's always the pressure to make the movie good.

He is a leader among leaders.

The teaching of any science, for purposes of liberal education, without linking it with social progress and teaching its social significance, is a crime against the student mind. It is like teaching a child how to pronounce words but not what they mean.