Charlie Haden quotes:

There's like a special group of people that come from different parts of the planet to study with me. It's nice. I just gave a workshop in Boston at the New England Conservatory, which was really nice.

The bass, no matter what kind of music you're playing, it just enhances the sound and makes everything sound more beautiful and full. When the bass stops, the bottom kind of drops out of everything.

Creative Arts raise a person to another level of consciousness as if you could imagine life before words.

I just try to play music from my heart and bring as much beauty as I can to as many people as I can. Just give them other alternatives, especially people who aren't exposed to creative music.

I want them to come away with discovering the music inside them. And not thinking about themselves as jazz musicians, but thinking about themselves as good human beings, striving to be a great person and maybe they'll become a great musician.

As long as there are musicians who have a passion for spontaneity, for creating something thats never been before, the art form of jazz will flourish.

As long as there are musicians who have a passion for spontaneity, for creating something that's never been before, the art form of jazz will flourish.

I just try to play music from my heart and bring as much beauty as I can to as many people as I can. Just give them other alternatives, especially people who arent exposed to creative music.

Chris (Anderson) is risking his life with every chord, that's how much it means to him. He has such a reverence for beauty, he plays like an angel.

I always told the people at Cal Arts that if they wanted me to do Jazz studies, first of all, there couldn't be a big band within 500 miles and that I could do what I wanted to do. And they said I could.

If you strive to become a good human being with the qualities of generosity, humility and having reverence for life...just maybe you'll become a great musician.

I just sit down at the piano and rattle it off.

James Cotton is a real blues guy, and he played with Muddy Waters, and it surprised me that they would want me to make a record with them, that he called me to do this record. I'd never done anything like that before. But I love blues, so I was very happy.

It used to be that creative music was most of the music that you heard back in the '30s and '40s, and now it's like 3 percent. So, its kind of a struggle getttin' it out there.

Some tracks are with quartet and some tracks are with synthesizer.

You have to see your unimportance before you can see your importance and your significance to the world.

In the midst of creating, a person is raised to another level of consciousness that doesn't have that much to do with everyday thinking. It's as if you could imagine life before there were words.

In the midst of creating, a person is raised to another level of consciousness.

The whole underlying theme for the new music... is to communicate honest, human values, and in doing that to try to improve the quality of life.

I want them to come away with discovering the music inside them...

I've got a collection of songs that I've had, I keep adding to and they're all great American composers. I wanted to showcase American composers and I've done that on a lot of my records and played things by American composers that I really respect.

I just see myself as a human being that's concerned about life.

We're here to bring beauty to the world and make a difference in this planet. That's what art forms are about.

I think life is really hard sometimes. It's not easy to wake up every day and go through what you go through. But the beautiful moments that you share with people that you love, or even experience alone, are worth all of the pain and sorrow. Those moments should be cherished, and I think that's what music is all about-to remind people of the beautiful moments that are in everybody's life

I told my students the other day in class, which is about the spirituality and creativity as much as it is about music. I said, 'If you're walking down the street and you see a baby carriage, and there's a baby in the carriage; you look down and your eyes meet the eyes of the baby. The baby looks at you: That's the kind of moment you're in when you're playing.

Before music there was silence and the duet format allows you to build from the silence in a very special way.

When we first started playing we did a lot of rehearsing. We used to write out everything. In fact, that's the way everybody rehearses: we play the tunes and improvise.