Carol Ann Duffy quotes:

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  • I grew up in a bookless house - my parents didn't read poetry, so if I hadn't had the chance to experience it at school I'd never have experienced it. But I loved English, and I was very lucky in that I had inspirational English teachers, Miss Scriven and Mr. Walker, and they liked us to learn poems by heart, which I found I loved doing.

  • If I felt, in the event of a royal wedding, inspired to write about people coming together in marriage or civil partnership, I would just be grateful to have an idea for the poem. And if I didn't, I'd ignore it.

  • Christmas is taken very seriously in this household. I believe in Father Christmas, and there's no way I'd do anything to undermine that belief.

  • The poem is a form of texting... it's the original text. It's a perfecting of a feeling in language - it's a way of saying more with less, just as texting is.

  • You can find poetry in your everyday life, your memory, in what people say on the bus, in the news, or just what's in your heart.

  • I have piles of poetry books in the bathroom, on the stairs, everywhere. The only way to write poetry is to read it.

  • I write in that space between Ella's childhood and mine. I know it all sounds a bit sinister.

  • Better off dead than giving in; not taking what you want.

  • When you have a child, your previous life seems like someone else's. It's like living in a house and suddenly finding a room you didn't know was there, full of treasure and light.

  • Poets deal in writing about feelings and trying to find the language and images for intense feelings.

  • Auden said poetry makes nothing happen. But I wonder if the opposite could be true. It could make something happen.

  • I write quite a lot of sonnets, and I think of them almost as prayers: short and memorable, something you can recite.

  • Every day is a gift with a child, no matter what problems you have.

  • Edinburgh is my favourite city. We'll be doing a lot of children's theatre and galleries.

  • Like the sand and the oyster, it's a creative irritant. In each poem, I'm trying to reveal a truth, so it can't have a fictional beginning.

  • I still read Donne, particularly his love poems

  • For me, poetry is the music of being human. And also a time machine by which we can travel to who we are and to who we will become.

  • I'll be left writing picture books and fairy tales.

  • When you have a child, your previous life seems like someone else's. It's like living in a house and suddenly finding a room you didn't know was there, full of treasure and light

  • I think poetry can help children deal with the other subjects on the curriculum by enabling them to see a subject in a new way.

  • I always wanted a child. Being a mother is the central thing in my life.

  • Having a child takes you back to all those parts of your own childhood that you had hidden away.

  • I still read Donne, particularly his love poems.

  • I like to use simple words, but in a complicated way.

  • I see the shape of the poem before I start writing, and the writing is just the process of arriving at the shape.

  • The moment of inspiration can come from memory, or language, or the imagination, or experience - anything that makes an impression forcibly enough for language to form.

  • My prose is turgid, it just hasn't got any energy.

  • If poetry could truly tell it backwards, then it would.

  • It's always good when women win things in fiction because it tends to be more male-dominated, unlike poetry, which is more equal.

  • It is a moon wrapped in brown paper.

  • Poetry, above all is a series of intense moments ­ its power is not in narrative. I'm not dealing with facts, I'm dealing with emotion.

  • I think all poets must feel this: that there is constantly something new to be discovered in the language. It's like a thrilling encounter, and you can find things.

  • If we think of what's up ahead, with climate change and wars over water, it's very frightening.

  • Time hates love, wants love poor,/but love spins gold, gold, gold from straw.

  • I always say that I'll have a go and see whether the poem works and if it does, then fine.

  • What do I haveto help me, without spell or prayer,endure this hour, endless, heartless, anonymous,the death of love?

  • I think the dangers are different now. Our abuse of the planet and our resources is an anxiety

  • My prose is turgid, it just hasn't got any energy

  • Where I lived - winter and hard earth.I sat in my cold stone roomchoosing tough words, granite, flint,to break the ice. My broken heart -I tried that, but it skimmed,flat, over the frozen lake.She came from a long, long way,but I saw her at last, walking,my daughter, my girl, across the fields,In bare feet, bringing all spring's flowersto her mother's house. I swearthe air softened and warmed as she moved,the blue sky smiling, none too soon,with the small shy mouth of a new moon.

  • As anyone who has the slightest knowledge of my work knows, I have little in common with Larkin, who was tall, taciturn and thin-on-top, and unlike him I laugh, nay, sneer, in the face of death. I will concede one point: we are both lesbian poets.

  • I'll be left writing picture books and fairy tales

  • Poetry and prayer are very similar

  • Every day is a gift with a child, no matter what problems you have

  • Between 9am and 3pm is when I work most intensely

  • The stars are filming us for no one.

  • You have me like a drawing, erased, coloured in, untitled, signed by your tongue.

  • What will you do now with the gift of your left life?

  • Poets sing our human music for us.

  • It's always good when women win things in fiction because it tends to be more male-dominated, unlike poetry, which is more equal

  • How would you prepare to die on a perfect April evening?

  • She stood upon a continent of ice, which sparkled between sea and sky, endless and dazzling, as though the world kept all its treasure there; a scale which balanced poetry and prayer.

  • I like to think that I'm a sort of poet for our times.

  • I am always pleased to be asked to write a poem.

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