Bradford Cox quotes:

Everything I do is 100% automation, which means I'm just doing it live.

If you're not Jay-Z, a record leaking isn't going to affect you.

When I got hit by the car, I became depressed. As a result, I've been on antidepressants and I feel like I have no sexuality left. People complain about that side effect, but I love it. I feel outside of society.

I always write the first and last song of an album first, and then the middle just kind of happens.

I've always been interested in writing from other people's perspectives and other gender perspectives.

Talk to Arto Lindsay and I'm sure he's tired of people asking him about DNA; he's probably really into what he's doing now, which is good stuff. I guess I probably feel like that. But I'm obviously not comparing myself to someone as iconic as that.

Audiences tend to dig the earlier stuff by any given musician, and the artists themselves always tend to prefer the thing that they're doing now.

The sober guy is always going to have this air of arrogance or self-righteousness, but it's not my intention. I just knew that if I drank, I'd have a drinking problem.

The Internet nowadays is all sensationalism, and it's just terrifying when you're actually experiencing it as a person.

Unfortunately it's hard for me to be a fanboy for anything these days just because I see so much music.

Unlike the rest of everyone I hang around with, I don't drink, so I remember what happened after shows. And I have never hit on anyone after a show, I'm not that kind of person. Even if I was attracted to someone, I'd be too shy.

I don't have anything to prove.

I've been used for writing rhythm guitar chords for a long time because it's so easy to play and chords just sound good on it.

I'm tired of watching attractive people trying to be ugly, struggling for authenticity. Why not be yourself?

I used to be a lot more engaged on an improvisational level than other people. I was always on tour and always had a guitar in my hands, and when I went back home, my battery was at full charge. I had a lot of energy to get off, just impulses that I could draw upon.

As a homosexual, my job is simply to sodomize mediocrity.

I don't think you should make music to make music, just to show that you can. That's the opposite of vitality.

For me, experimenting involves traditionalism.

Musicians and artists are not... it's not like politicians or something where you can't really affect them. There's not like this separate caste system where it's like, "I'm the musician, you're the audience. Never the two shall meet." It was a case where it was like, "Hey, you know what? I'm on your level, man."

It was like I was asking for attention, but I didn't really want attention.

Everybody just needs to realize that when you write something you're just in one mood. I was told I needed to write it and it was overdue; I don't even remember what day it was.

I've got this thing where I always kind of diss the older stuff and favor the newer stuff. I mean, it's not just my thing; every artist or musician is like that, I guess.

The same people that always think I'm pretentious will think I'm pretentious, and the people who relate to me will continue to relate to me.

When I started having a couple of beers and loosening up, I realized how many years I had wasted going back to my hotel room alone when I could have gone and just had a beer or two.

You read about that Black Lips/Wavves fight as a spectator and you're like, "Oh man, I'm gonna pick a team to be on! I'm gonna put my two cents in as my status update on my Facebook page" or something. Not to sound like an anti-technology person, but it's just a real drag that people live their lives that way.

You're always as a musician trying to shock yourself or create music that's maybe even too weird for your own taste.

I'm a really friendly guy, I guess, and I really like meeting people.

I like my solitude, and I'm a strong-willed person; I'm a very hard-to-be-around person sometimes, I guess.

I don't leave my room, and all I am surrounded by are guitars and equipment, y'know? It's not always the best place to be.

I am asexual. A-sexual. I read somewhere, maybe on Facebook, where somebody said something like, "I heard Bradford was gay, but then I heard he was bi." Then somebody wrote, "No, I heard he was asexual." And then somebody said, "That's bullshit - he totally hit on my friend after a show."

You don't need to drink if you have emotional problems.

When young groups put out albums, they're always forced to go through this cycle of touring and talking and flaunting and posturing and peacocking. Nobody makes me do that anymore.

I need punk rock. It's the medicine for me, but it's bitter and sickening. If you don't need it - if you're happy and healthy - run toward that.

I refuse to put myself into a situation in which I have to face some kind of "I'm losing it" kind of thing. I'm not "losing it"; it's changed. What it is is changing.

I want to satisfy the listener, exactly. I want to entertain the audience. I want the people to leave the show with the feeling I used to leave shows with when I was young, and I couldn't get over it for another three or four days after it. I just kept reliving the set in my mind.

I want the music to be heard as close to when I made it, as much as possible. I don't want to get into some "future of the music industry" thing, or where I stand on digital this or that, but I think it's ridiculous that a lot of people in the industry plan so far ahead that it makes a lot of improvisation impossible and makes a lot of people's expectations fixed and not fluid.

That's what culture is based on, the passing down of a certain narrative by imitation.

My entire education in music was in reading interviews with bands like Stereolab and finding out about Brazilian music or a Romanian composer. You expose yourself to what people you look up to admire.

It's made me cynical at a young age to see how overlooked certain groups I've admired are.

I see a lot of people doing an "'80s thing" who weren't even born until the '90s.

When I go on a nostalgia trip it's not aesthetic. For me it's about trying to recapture the smell or the feeling of something that I've experienced in the past personally.

I'm more into Neil Young and radical honesty.

I don't have the capacity to write stuff consciously. When I do, it's really awful.

We all come back to our little worlds.

I've been going through a lot of... stuff. I need some space, which people were very kind enough to give me, and I feel really gracious about that. Nobody forces me to do things or say things or do interviews.

I have really low self-esteem, and it's not easy for me to put myself on an album cover.

You think about people like Elvis, Kurt Cobain, or the Beatles, who grew up without privilege and needed a certain validation through peoples' acceptance, or admiration from their peers. And money is part of that, but it always comes too late.

When money and fame happen too late, it's like pouring kerosene over a fire of self-loathing.

People roll their eyes and say, "Oh god, he's not rich or famous." I say it's relative. I mean, look at me: I'm 115 pounds and I grew up without money. To me, I'm rich because I don't have to worry about paying rent. I don't think about money now.

In reality, I've probably got the lowest self-esteem of anybody I know, which has really been rubbed in my face lately in personal situations.

I think people are intimidated by me, and I don't know why. Sometimes even my own bandmates can be intimidated, or irritated, by me.

I don't like the sound of my own voice. And, for people I don't know, their impression of me is what they read on the internet, and they're so far off a lot of the time.

I've been going through some personal things that have stirred up a lot of old wounds.

Sometimes, I do have something to say, so I'll sit there and I'll write a song to someone - and then I just throw it away because it makes me cringe.

I know so many people think my music is quite influenced by Animal Collective, but honestly I think maybe the factor is that we're both influenced by the same stuff.

I'm working on one of the projects at a time and I'm the zone of that project. I'm not saying there's anything wrong with this, and I might experiment with it in the future, but I'm not a fan of just random assemblages of songs at the moment.

I've always said I write albums; I don't write random songs and then sort them out.

People say 'I don't want to die alone!' But you know what, honestly? I don't want to die with a bunch of people looking at me.

A lot of bands wanna do something new all the time and never repeat themselves, but I'm not so interested in that. If I feel like I can do it better the second time, I'll give it another shot.