Billy Gibbons quotes:

Ever since I was a little kid and first heard Jimmy Reed's 'Honey, Don't Let Me Go,' the blues has been in my blood.

Well, everybody faces the fact there really aren't many records stores around to just go and browse. Maybe browse online, yet that tactile feel of flipping through a stack of vinyl remains one of life's simple pleasures.

Every once in awhile I'll call up Eddie (Van Halen) and ask, Found that fourth chord yet?

ZZ Top did get a chance to play with Lightnin' Hopkins and Jimmy Reed, there's still that one, single song we just can't shake... J.B. Hutto's "Combination Boogie".

My discussion with Keith Richards about the creative process led me to believe that there's an invisible presence of a stream of ever-flowing creativity that we overhear-all you have to do is pull up the antenna and dial it in. This presence allows you to maintain your sense of origin and move forward.

The rawness and the richness of music on vinyl almost went away, but it still seems to be on a lot of people's radar, and for good reason. It does something different than more accessible means of music playing, like MP3 players and downloads and whatnot. You get in front of these archaic contraptions that go 'round and 'round.

The blues is a mighty long road. Or it could be a river, one that twists and turns and flows into a sea of limitless musical potential.

Until you learn to play what you want to hear, you're barking up the wrong tree.

Turn on, tune up, rock out.

Did Muddy Waters play an acoustic? Well of course he did. But did he turn his back on being able to plug it in and play louder? No, he plugged in and turned it up and got miles and miles ahead of the game in one fateful act of just plugging in.

Water doesn't hurt a vinyl record. Put it into a dishwasher and you're fine.

Sounds like the blues are composed of feeling, finesse, and fear.

White people get nervous and speed things up. You don't have to be in a hurry because you ain't got nothing to gain and you ain't got nothin' to lose. And that's where the groove lies.

If you're really looking for something in particular, it helps to take your time.

Having a visual element to your band is a good thing.

I've been touted for my guacamole. I'll stand by my method. People have asked me to come to their home and prepare it. Restaurants have asked me about it.

... Lightnin' Hopkins taught us, "the rubber on a wheel is faster than the rubber on a heel" and Muddy Waters taught us "you don't have to be the best one; just be a good 'un" .. that just about says it all, always strive to be a good 'un...

There's not a single genre that is hard to find or hard to get.

Sooner rather than later, any other form other than digital media will be a thing of the past. It won't vanish, but let's face it, this is seemingly the way of the future.

... I too once belived in the heavier gauge string as a superior tone source. However, thanks to the graciousness of B.B. King I learned that a lighter-gauge string offers superior playing comfort ... try it, you may like it ...

Our skin colours may vary, but what's upstairs - there's certain things we've all got in common.

It's a real uphill challenge to battle the white-guyness.

Can't do it, simply cause underneath 'em is too ugly.

Most of the reggae awareness is still among music industry people and people who are already into all types of music.

In 1950, the biggest amp you could get was no bigger than a tabletop radio.

They prospect of seeing oneself in the mirror clean-shaven is too close to a Vincent Price film... a prospect not to be contemplated, no matter the compensation.

It's important to collect unusual characters. It keeps you sharp.

Each guitar has its own character and personality, which can be magnified once the player engages in beatin' it up

It doesn't take much to be good, but it takes a lot to be real good.

... a blown-out tube ripped some of the grind from the amplifier, throwing us into a momentary tizzy. The unusual sound led me to play unusually, and the recorded take turned out to be a keeper. Insriration can come from the most unlikely places ... keep your head on and your ears open...

Lightnin' Hopkins was something of a fixture on the Houston coffee house scene so we were witness to eccentric blues brilliance close up. Then, believe it or not, along came the wave of the English cats like John Mayall, Eric Clapton and the Stones embracing the great American art form - the blues.

The band is tight enough. Quit practicing!

One springs to mind: one of our very first gigs in a small East Texas town was not well promoted. At least, that was our conclusion. After the band loaded in and the curtain opened, we realized there was exactly one paying customer in the audience. We kind of made the best of it playing through the first set, took a break and bought him a Coke and then went on to perform for the remainder of the night. It wasn't exactly a catastrophe but it certainly stands as legendary.

Brian Eno and Robert Fripp's foray into some artful excursions into some ethereal electric experiments. There was a lot curious activities emerging in London, Amsterdam, and Berlin back then developing some fiercely fuzzy of synth-like effects way outside the norm which really blew the lid off things.

Experience is definitely the high road once driven. It actually enhances the songwriting and song sourcing process.

My mom took my sister and me to see Elvis [Presley] in concert when was, maybe 5 or 6, and I liked everything about it.

When I was around 7 or 8 my Dad took me to a B.B. King recording session, well, that really did it. Huge and lasting impressions. After all that I pretty much knew playing guitar was something I was going to do because I just had to do it. And I did.

I probably owe as much to Jeff Beck as I do to Son House with connections to the blues.

The blues is life itself.