Audrey Niffenegger quotes:

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  • I am suddenly comsumed by nostalgia for the little girl who was me, who loved the fields and believed in God, who spent winter days home sick from school reading Nancy Drew and sucking menthol cough drops, who could keep a secret.

  • What we need,' Henry says, 'is a fresh start. A blank slate. Let's call her Tabula Rasa.

  • I never understood why Clark Kent was so hell bent on keeping Lois Lane in the dark.

  • Home sweet home. No place like home. Take me home, country roads. Home is where the heart is. But my heart is here. So I must be home. Clare sighs, turns her head, and is quiet. Hi, honey. I'm home. I'm home.

  • I go to sleep alone, and wake up alone. I take walks. I work until I'm tired. I watch the wind play with the trash that's been under the snow all winter. Everything seems simple until you think about it. Why is love intensified by abscence?

  • I still feel like a castaway, th elast of a once numerous species. It was as though Robinson Crusoe discovered the telltale footprint on the beach and then realized that it was his own. Myself, small as a leaf, thin as water, begins to cry.

  • The Garden Under Snow "Now the garden is under snow a blank page our footprints write onclare who was never minebut always belonged to herselfSleeping Beautya crystalline blanketthis is her springthis is her sleeping/awakeningshe is waitingeverything is waitingthe improbable shapes of rootsmy babyher facea garden, waiting.

  • Why do you have a cigarette lighter in your glove compartment?" her husband, Jack, asked her. "I'm bored with knitting. I've taken up arson

  • Don't you think it's better to be extremely happy for a short while, even if you lose it, than to be just okay for your whole life?

  • Sleep is my lover now, my forgetting, my opiate, my oblivion.

  • I won't ever leave you, even though you're always leaving me.

  • I'm living under water. Everything seems slow and far away. I know there's a world up there, a sunlit quick world where time runs like dry sand through an hourglass, but down here, where I am, air and sound and time and feeling are thick and dense.

  • Right now we are here, and nothing can mar our perfection, or steal the joy of this perfect moment.

  • one of the best and the most painful things about time traveling has been the opportunity to see my mother alive.

  • It's terrific, Clare," Henry says, and we stare at each other, and I think, "Don't leave me.

  • Knowing the future is different from being told what I like.

  • Why is love intensified by absence?

  • Chaos is more freedom; in fact, total freedom. But no meaning.

  • I'm bored with knitting. I've taken up arson.

  • The kissed surprised him because it had been so long since he'd kissed anyone but Elspeth. It surprised Valentina because she had hardly ever kissed anyone that way - to her, kissing had always been more theoretical than physical. Afterwards she stood with her eyes closed, lips parted, face tilted. Robert thought, She's going to break my heart and I'm going to let her.

  • we both smile and we are conspirators.

  • It's hard being left behind. (...) It's hard to be the one who stays.

  • Our love has been the thread through thelabyrinth, the net under the high-wire walker, the only real thing in this strange life of mine that I could ever trust.

  • What is more basic than the need to be known? It is the entirety of intimacy, the elixir of love, this knowing.

  • There are several ways to react to being lost. One is to panic: this was usually Valentina's first impulse. Another is to abandon yourself to lostness, to allow the fact that you've misplaced yourself to change the way you experience the world.

  • As I penetrate Clare she looks at me and I think I don't exist and a second later she turns her head and sees me. She cries out, not loudly, and looks back at me, above her, in her. Then she remembers, accepts it, this is pretty strange but it's okay, and in this moment I love her more than life.

  • Now I wonder if it means that the future is a place, or like a place, that I could go to; that is go to in some way otherthan just getting older.

  • I am afraid of the future; it seems to be a big box waiting for me.

  • When we were that young we invented the world, no one could tell us a thing.

  • But now, I know, how absence can be present, like a damaged nerve, like a dark bird.

  • Chaos is more freedom; in fact, total freedom. But no meaning. I want to be free to act, and I also want my actions to mean something.

  • There is only one page left to write on. I will fill it with words of only one syllable. I love. I have loved. I will love.

  • He was not in the house. He did not come back that night. Days went by, and at last she understood that he would not return at all.

  • I sit quietly and think about my mom. It's funny how memory erodes, If all I had to work from were my childhood memories, my knowledge of my mother would be faded and soft, with a few sharp memories standing out.

  • We are often insane with happiness. We are also very unhappy for reasons neither of us can do anything about. Like being separated.

  • I think about my mother singing after lunch on a Summer afternoon, twirling in blue dress across the floor of her dressing room

  • The pain has left but I know that it has not gone far, that it is sulking somewhere in a corner or under the bed and it will jump out when I least expect it.

  • I wanted someone to love who would stay: stay and be there, always.

  • Listen, sometimes when you finally find out, you realize that you were much better off not knowing.

  • When we met I was wrecked, blasted, and damned, and I am slowly pulling myself together because I can see that you are a human being and I would like to be one, too.

  • Love the world and yourself in it, move through it as though it offers no resistance, as though the world is your natural element.

  • I'm at a loss because I am in love with a man who is standing before me with no memories of me at all. (Time Traveler's Wife)

  • Every minute of his life since then has been marked by her absence, every action has lacked dimension because she is not there to measure against. And when I was young I didn't understand, but now, I know, how absence can be present, like a damaged nerve, like a dark bird.

  • Itâ??s dark now and I am very tired. I love you, always. Time is nothing.

  • Clare, I want to tell you, again, I love you. Our love has been the thread through the labyrinth, the net under the high-wire walker, the only real thing in this strange life of mine that I could ever trust. Tonight I feel that my love for you has more density in this world than I do, myself: as though it could linger on after me and surround you, keep you, hold you.

  • He had never realized, while Elspeth was alive, the extent to which a thing had not completely happened until he told her about it.

  • I place my hands over her ears and tip her head back, and kiss her, and try to put my heart into hers, for safekeeping, in case I lose it again.

  • The engagement ring is an emerald, and the dim light from the window is refracted green and white in it. The rings are silver, and they need cleaning. They need wearing, and I know just the girl to wear them.

  • Think for a minute, darling: in fairy tales it's always the children who have the fine adventures. The mothers have to stay at home and wait for the children to fly in the window.

  • I have a sort of Christmas-morning sense of the library as a big box full of beautiful books.

  • I'm sorry. I didn't know you were coming or I'd have cleaned up a little more. My life, I mean, not just the apartment.

  • ...all of our laments could not add a single second to her life, not one additional beat of the heart, nor a breath.

  • When somebody is that patient, you have to feel grateful, and then you want to hurt them. Does that make any sense?

  • Running is many things to me: survival, calmness, euphoria, solitude. It is proof of my corporeal existence, my ability to control my movement through space if not time, and the obedience, however temporary, of my body to my will. As I run I displace air, and things come and go around me, and the path moves like a filmstrip beneath my feet.

  • Each spine was an encapsulated memory, each book represented hours, days of pleasure, of immersion into words.

  • He looks sad. Or maybe that's just how he looks when he isn't doing something else with his face.

  • My family isn't posh; they're musicians.

  • But as usual there's no answer to this. As usual, that's just how it is.

  • It's funny how we like labels. If I ever have a bookstore, I'm not going to put any labels on the sections.

  • He would say her name over and over until it devolved into meaningless sounds - mah REI kuh, mah REI kuh - it became an entry in a dictionary of loneliness.

  • I don't want to boss anyone and I don't want to be bossed.

  • The cure might be worse than the problem

  • Is it sad to fancy David Tennant when you're dead?

  • When it's over you look up: the world looks the same but you are somehow different and that feeling lingers for days.

  • ...and I suddenly feel that Henry is there, incredible need for Henry to be there and to put his hand on me even while it seems to me that Henry is the rain and I am alone and wanting him - Clare

  • I look at him, look at the book, remember, this book, this moment, the first book I ever loved

  • I've noticed that Henry needs an incredible amount of physical activity all the time in order to be happy. It's like hanging out with a greyhound.

  • There was only the cemetery itself, spread out in the moonlight like a soft grey hallucination, a stony wilderness of Victorian melancholy.

  • Clare seems so pleased with the idea of me as a pirate that she forgets that I am Stranger Danger.

  • There's always world enough and time.

  • I breathe slowly and deeply. I make my eyes still under eyelids, I make my mind still, and soon, Sleep, seeing a perfect reproduction of himself, comes to be united with his facsimile.

  • You're the oddest person I've ever met, you couldn't get rid of me if you tried.

  • I told Ing once that she dances like a German and she didn't like it, but it's true: she dances seriously, like lives are hanging in the balance, like precision dancing can save the starving children of India.

  • Oh. A bigger studio. It dawns on me, stupid me, that Henry could win the lottery at any time at all; that he has never bothered to do so because it's not normal; that he has decided to set aside his fanatical dedication to living like a normal person so I can have a studio big enough to roller-skate across; that I am being an ingrate. "Clare? Earth to Clare..." "Thank you," I say, too abruptly.

  • Henry loves my hair almost as though it is a creature unto itself, as though it has a soul to call its own, as though it could love him back.

  • It was silly, wasn't it? But the singing made it not silly.

  • But you know: you know that if I could have stayed, if I could have gone on, that I would have clutched every second: whatever it was, this death, you know that it came and took me, like a child carried away by goblins.

  • I love. I have loved. I will love.

  • I guess no matter what your family is like, you're not surprised.

  • That's what alcoholics do. It's in their job description: fall apart and then keep falling apart.

  • I sometimes end up in dangerous situations, and I come back to you broken and messed up, and you worry about me when I'm gone. It's like marrying a policeman.

  • Do you ever miss him? Every day. Every minute. Every minute, she says. Yes, it's that way, isn't it?

  • He said something interesting: he said that he thinks there is only free will when you are in time, in the present. He says in the past we can only do what we did, and we can only be there if we were there.

  • My apartment is basically a couch, an armchair, and about four thousand books.

  • Maybe I'm dreaming you. Maybe you're dreaming me; maybe we only exist in each other's dreams and every morning when we wake up we forget all about each other.

  • Everything seems simple until you think about it.

  • Sometimes I'm happy when he's gone, but I'm always happy when he returns. -Clare

  • Love you..." Henry-" Always..." Oh God oh God-" World enough..." No!" And time..." Henry!

  • And Clare, always Clare.

  • We are walking down the street holding hands. There is a playground at the end of the block, and I run to the swings and I climb on and Henry takes the one next to me facing the opposite direction. And we swing higher and higher passing each other, sometimes in synch and sometimes streaming past each other so fast that it seems we are going to collide. And we laugh and laugh, and nothing can ever be sad, no one can be lost or dead or far away. Right now we are here and nothing can mar our perfection or steal the joy of this perfect moment.

  • He made the boxes because he was lonely. He didn't have anyone to love, and he made the boxes so he could love them, and so people would know that he existed, and because birds are free and the boxes are hiding places for the birds so they will feel safe, and he wanted to be free and be safe. The boxes are for him so he can be a bird.

  • My reflection in the mirror shows me pink and puffy. I thought pregnant women were to supposed to glow. I am not glowing.

  • ...she could express her soul with that voice, whenver I listened to her I felt my life meant more than mere biology...she could really hear, she understood structure and she could analyze exactly what it was about a piece of music that had to be rendered just so...she was a very emotional person, Annette. She brought that out in other people. After she died I don't think I ever really felt anything again.

  • Mom had just gotten back from Sydney, and she had brought me an immense, surpassingly blue butterfly, Papilio ulysses, mounted in a frame filled with cotton. I would hold it close to my face, so close I couldn't see anything but that blue. It would fill me with a feeling, a feeling I later tried to duplicate with alcohol and finally found again with Clare, a feeling of unity, oblivion, mindlessness in the best sense of the word.

  • CLARE: The library is cool and smells like carpet cleaner, although all I can see is marble.

  • How does it feel? I feels exactly like one of those dreams in which you suddenly realize that you have to take a test you haven't studied for and you aren't wearing any clothes. And you've left your wallet at home. When I am out there, in time, I am inverted, changed into a desperate version of myself. I become a thief, a vagrant, an animal who runs and hides. I startle old women and amaze children. I am a trick, an illusion of the highest order, so incredible that I am actually true.

  • But you make me happy. It's living up to being happy that's the difficult part.

  • The space that I can call mine.. is so small that my ideas have become small. I am like a caterpillar in a cocoon of paper; all around me are sketches for sculptures, small drawings that seem like moths fluttering against the windows, beating their wings to escape from this tiny space.. Every day the ideas come more reluctantly, as though they know I will starve them and stunt their growth.

  • I feel that I an everything to her.

  • When the woman you live with is an artist, every day is a surprise.

  • When you live with a woman you learn something every day. So far I have learned that long hair will clog up the shower drain befor you can say "Liquid-Plumr"; that it is not advisable to clip something out of the newspaper before your wife has read it, even if the newspaper in question is a week old; that I am the only person in our two-person household who can eat the same thing for dinner three nights in a row without pouting; and that headphones were invented to preserve spouses from each other's musical excesses.

  • The compelling thing about making art - or making anything, I suppose - is the moment when the vaporous, insubstantial idea becomes a solid there, a thing, a substance in a world of substances.

  • Long ago, men went to sea, and women waited for them, standing on the edge of the water, scanning the horizon for the tiny ship. Now I wait for Henry. He vanishes unwillingly, without warning. I wait for him. Each moment that I wait feels like a year, an eternity. Each moment is as slow and transparent as glass. Through each moment I can see infinite moments lined up, waiting. Why has he gone where I cannot follow?

  • I wish for a moment that time would lift me out of this day, and into some more benign one. But then I feel guilty for wanting to avoid the sadness; dead people need us to remember them, even if it eats us, even if all we can do is say "I'm sorry" until it is as meaningless air.

  • Outside it's a perfect spring night. We stand on the sidewalk in front of our apartment building, and Henry takes my hand, and I look at him, and I raise our joined hands and Henry twirls me around and soon we're dancing down Belle Plaine Avenue, no music but the sound of cars whoosing by and our own laughter, and the smell of cherry blossoms that fall like snow on the sidewalk as we dance underneath the tress.

  • Mama said, "Dreams are different to real life but important too.

  • absence can be present, like a damaged nerve, like a dark bird

  • We didn't think the library was funny looking in it's faux- Greek splendor, nor did we find the cuisine limited or bland, or the movies at the Michigan theater relentlessly American and mindless. These were opinions I came to later, after I became a denizen of a City, an expatriate anxious to distance herself from the bumpkin ways of her youth. I am suddenly consumed by nostalgia for the little girl who was me, who loved the fields and believed in God, who spent winter days home sick from school reading Nancy Drew and sucking menthol cough drops, who could keep a secret.

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