Anthony Burgess quotes:

+1
Share
Pin
Like
Send
Share
  • In two thousand years all our generals and politicians may be forgotten, but Einstein and Madame Curie and Bernard Shaw and Stravinsky will keep the memory of our age alive.

  • If you believe in an unseen Christ, you will believe in the unseen Christlike potential of others.

  • Books in a large university library system: 2,000,000. Books in an average large city library: 10,000. Average number of books in a chain bookstore: 30,000. Books in an average neighborhood branch library: 20,000.

  • Women thrive on novelty and are easy meat for the commerce of fashion. Men prefer old pipes and torn jackets.

  • Bath twice a day to be really clean, once a day to be passably clean, once a week to avoid being a public menace.

  • Beckett does not believe in God, though he seems to imply that God has committed an unforgivable sin by not existing.

  • Americans will listen, but they do not care to read. War and Peace must wait for the leisure of retirement, which never really comes: meanwhile it helps to furnish the living room.

  • It's always good to remember where you come from and celebrate it. To remember where you come from is part of where you're going.

  • Life is a wretched gray Saturday, but it has to be lived through.

  • Great Music, it said, and Great Poetry would like quieten Modern Youth down and make Modern Youth more Civilized. Civilized my syphilised yarbles.

  • The aura of the theocratic death penalty for adultery still clings to America, even outside New England, and multiple divorce, which looks to the European like serial polygamy, is the moral solution to the problem of the itch.

  • Violence among young people is an aspect of their desire to create. They don't know how to use their energy creatively so they do the opposite and destroy.

  • Senseless violence is a prerogative of youth, which has much energy but little talent for the constructive.

  • There was me, that is Alex, and my three droogs, that is Pete, Georgie and Dim, Dim being really dim, and we sat in the Korova Milkbar making up our rassoodocks what to do with the evening.

  • Come with uncle and hear all proper. Hear angel trumpets and devil trombones...you are invited!

  • Where do I come into all of this? Am I just some animal or dog?' And that started them off govoreeting real loud and throwing slovos at me. So I creeched louder still, creeching: 'Am I just to be like a clockwork orange?

  • The downtrodden are the great creators of slang.

  • We are supposed to be the children of Seth; but Seth is too much of an effete nonentity to deserve ancestral regard. No, we are the sons of Cain, and with violence can be associated the attacks on sound, stone, wood and metal that produced civilization.

  • One of the delights known to age, and beyond the grasp of youth, is that of Not Going.

  • You needn't take it any further, sir. You've proved to me that all this ultraviolence and killing is wrong, wrong, and terribly wrong. I've learned me lesson, sir. I've seen now what I've never seen before. I'm cured! Praise Bog! I'm cured! I was cured alright.

  • As we are all solipsists, and all die, the world dies with us. Only very minor literature aims at apocalypse.

  • But, brothers, this biting of their toe-nails over what is the CAUSE of badness is what turns me into a fine laughing malchick. They don't go into what is the cause of GOODNESS, so why of the other shop?

  • And, my brothers, it was real satisfaction to me to waltz-left two three, right two three-and carve left cheeky and right cheeky, so that like two curtains of blood seemed to pour out at the same time, one on either side of his fat filthy oily snout in the winter starlight.

  • Suddenly, I viddied what I had to do, and what I had wanted to do, and that was to do myself in; to snuff it, to blast off for ever out of this wicked, cruel world. One moment of pain perhaps and, then, sleep forever, and ever and ever.

  • But don't think that it's a system or a culture or a state or a person that does the letting down. It's our expectations that let us down. It begins in the warmth of the womb and the discovery that it's cold outside. But it's not the cold's fault that it's cold.

  • Ignorance and poverty are the best condiments for the great feast of the world, but the inexperienced and poor are never invited to it.

  • The possession of a book becomes a substitute for reading it.

  • Is it better for a man to have chosen evil than to have good imposed upon him?

  • A perverse nature can be stimulated by anything. Any book can be used as a pornographic instrument, even a great work of literature if the mind that so uses it is off-balance. I once found a small boy masturbating in the presence of the Victorian steel-engraving in a family Bible.

  • ...but we were all feeling that bit shagged and fagged and fashed, it having been an evening of some small energy expenditure...

  • A man can write one book that can be great, but this doesn't make him a great writer-just the writer of a great book. . . I think a writer has to extend very widely, as well as plunge very deep, to be a great novelist.

  • Then, brothers, it came. Oh, bliss, bliss and heaven. I lay all nagoy to the ceiling, my gulliver on my rookers on the pillow, glazzies closed, rot open in bliss, slooshying the sluice of lovely sounds. Oh, it was gorgeousness and gorgeosity made flesh.

  • Do they merit vitriol, even a drop of it? Yes, because they corrupt the young, persuading them that the mature world, which produced Beethoven and Schweitzer, sets an even higher value on the transient anodynes of youth than does youth itself.... They are the Hollow Men. They are electronic lice.

  • It is as inhuman to be totally good as it is to be totally evil.

  • Laugh and the world laughs with you, snore and you sleep alone.

  • The meal was pretentious - a kind of beetroot soup with greasy croutons; pork underdone with loud vulgar cabbage, potato croquettes, tinned peas in tiny jam-tart cases, watery gooseberry sauce; trifle made with a resinous wine, so jammy that all my teeth lit up at once.

  • Well, well, well, well. If it isn't fat, stinking billygoat Billy-Boy in poison. How art thou, thy globby bottle of cheap, stinking chip-oil? Come and get one in the yarbles, if you have any yarbles, you eunuch jelly thou.

  • John Kenneth Galbraith and Marshall McLuhan are the two greatest modern Canadians that the U.S. has produced.

  • Sanity is a handicap and liability if you're living in a mad world.

  • A Haydn symphony had a meaning for the social group that listened to it. A Mahler symphony had a meaning for the man who composed it. Here is the difference between the classical and romantic attitudes to art.

  • And I sort of frowned about that, thinking. 'You felt ill this afternoon,' he said, 'because you're getting better. When we're healthy we respond to the presence of the hateful with fear and nausea. You're becoming healthy, that's all.

  • We all need money, but there are degrees of desperation.

  • Novelists are perhaps the last people in the world to be entrusted with opinions. The nature of a novel is that it has no opinions, only the dialectic of contrary views, some of which, all of which, may be untenable and even silly. A novelist should not be too intelligent either, although he may be permitted to be an intellectual.

  • A novelist should not be too intelligent either, although... he may be permitted to be an intellectual.

  • Rome's just a city like anywhere else. A vastly overrated city, I'd say. It trades on belief just as Stratford trades on Shakespeare.

  • The purpose of education is to fit us for life in a civilised community, and it seems to follow from the subjects we study that the two most important things in civilised life are Art and Science.

  • He said it was artificial respiration but now I find I'm to have his child.

  • But if you eat this chap who's God,' said Llewelyn stoutly, 'how can it be horrible? If it's alright to eat God why is it horrible to eat Jim Whittle?' 'Because,' said Dymphna reasonably, ' if you eat God there's always plenty left. You can't eat God up because God just goes on and on and on and God can't ever be finished...

  • Perhaps, all these years, the historiographers had been unwilling to recognize history as a spiral, perhaps because a spiral was so difficult to describe. Easier to photograph the spiral from the top, easier to flatten the spring into a coil.

  • It's funny how the colors of the real world only seem really real when you watch them on a screen.

  • Our subject is, you see, impelled towards the good by, paradoxically, being impelled towards evil. The intention to act violently is accompanied by strong feelings of physical distress. To counter these the subject has to switch to a diametrically opposed attitude.

  • Delimitation is always difficult. The world is one, life is one. The sweetest and most heavenly of activities partake in some measure of violence - the act of love, for instance; music, for instance.

  • That's the law, son. But you were never much of a one for following the law.

  • The heresy of an age of reason,' or some such slovos [words]. 'I see what is right and approve, but I do what is wrong.

  • We're a government that believes in everybody having the illusion of free will.

  • And what, brothers, I had to escape into sleep from then was the horrible and wrong feeling that it was better to get the hit than give it. If that veck had stayed I might even have like presented the other cheek.

  • The old days are dead and gone days. For what I did in the past I have been punished. I have been cured.

  • Of course it was horrible,' smiled Dr. Branom. 'Violence is a very horrible thing. That's what you're learning now. Your body is learning it.

  • Self-interest, fear of physical pain, drove him to that grotesque act of self-abasement. Its insincerity was clearly to be seen. He ceases to be a wrongdoer. He ceases also to be a creature capable of moral choice.

  • I was very lighthearted. This often the way when the abandonment of personal responsibility is enforced: neither wronged innocence or just guilt can seriously impair the sensation of freedom one has.

  • I wish people would think of me as a musician who writes novels, instead of a novelist who writes music on the side.

  • There was no trust anywhere in the world, O my brothers, the way I could see it.

  • Immortality makes sense only when the individual soul can be thought of as merging into a great collective mush of sainthood. If we take anything with us into the next world, it is not what survives in the memories of our relicts.

  • I've always felt that English women had to be approached in a sisterly manner, rather than an erotic manner.

  • He said it was artificial respiration, but now I find I am to have his child.

  • It was like a bird of rarest-spun heaven metal or like silvery wine flowing in a spaceship, gravity all nonsense now.

  • I chart a little first-list of names, rough synopsis of chapters, and so on. But one daren't overplan; so many things are generated by the sheer act of writing.

  • I didn't think; I experimented.

  • Translation is not a matter of words only: it is a matter of making intelligible a whole culture.

  • The unconscious mind has a habit of asserting itself in the afternoon.

  • Readers are plentiful: thinkers are rare.

  • Literature is all, or mostly, about sex.

  • To write is to become disinterested. There is a certain renunciation in art.

  • Every dogma has its day.

  • The country needs and, unless I mistake its temper, the country demands bold, persistent, experimentation. It is common sense to take a method and try it, if it fails, admit it frankly and try another. But above all, try something.

  • I viddied that thinking is for the gloopy ones and that the oomny ones use like inspiration and what Bog sends. For now it was lovely music that came to my aid.

  • All novels are experimental.

  • The book I am best known for, or only known for, is a novel I am prepared to repudiate: written a quarter of a century ago, a jeu d'esprit knocked off for money in three weeks, it became known as the raw material for a film which seemed to glorify sex and violence. The film made it easy for readers of the book to misunderstand what it was about, and the misunderstanding will pursue me till I die. I should not have written the book because of this danger of misinterpretation.

  • Does God want goodness or the choice of goodness? Is a man who chooses to be bad perhaps in some way better than a man who has the good imposed upon him?

  • Fumbling for a word is everybody's birthright.

  • There is, in fact, not much point in writing a novel unless you can show the possibility of moral transformation, or an increase in wisdom, operating in your chief character or characters.

  • The trombones crunched redgold under my bed, and behind my gulliver the trumpets three-wise silverflamed, and there by the door the timps rolling through my guts and out again crunched like candy thunder. Oh, it was wonder of wonders. And then, a bird of like rarest spun heavenmetal, or like silvery wine flowing in a spaceship, gravity all nonsense now, came the violin solo above all the other strings, and those strings were like a cage of silk around my bed. Then flute and oboe bored, like worms of like platinum, into the thick thick toffee gold and silver. I was in such bliss, my brothers.

  • If you expect the worst from a person you can never be disappointed.

  • Hitler was a teetotalitarian.

  • ...We're a government that believes in everybody having the illusion of free will.

  • The important thing is moral choice. Evil has to exist along with good, in order that moral choice may operate. Life is sustained by the grinding opposition of moral entities.

  • When a man cannot chose, he ceases to be a man.

  • Literature ceases to be literature when it commits itself to moral uplift; it becomes moral philosophy or some such dull thing.

  • Only in England is the perversion of language regarded as a victory for democracy.

  • We can destroy what we have written, but we cannot unwrite it.

  • ... A CLOCKWORK ORANGE- and I said: 'That's a fair gloopy title. Who ever heard of a clockwork orange?' Then I read a malenky bit out loud in a sort of very high type preaching goloss: '- The attempt to impose upon a man, a creature of growth and capable of sweetness, to ooze juicily at the last round the bearded lips of God, to attempt to impose, I say, laws and conditions appropriate to a mechanical creation, against this I raise my swordpen-

  • Colonialism. The enforced spread of the rule of reason. But who is going to spread it among the colonizers?

  • If you want to be considered a poet, you will have to show mastery of the petrarchan sonnet form or the sestina. Your musical efforts must begin with well-formed fugues. There is no substitute for craft... Art begins with craft, and there is no art until craft has been mastered.

  • Every grain of experience is food for the greedy growing soul of the artist.

  • Life is, of course, terrible.

  • If you write fiction you are, in a sense, corrupted. There's a tremendous corruptibility for the fiction writer because you're dealing mainly with sex and violence. These remain the basic themes, they're the basic themes of Shakespeare whether you like it or not.

  • As a chamber hung round about with looking-glasses represents the face upon every turn, thus all the world doth the mercy and the bounty of God; though that be visible, yet it discovers an invisible God and his invisible properties.

  • Keep away from physicians. It is all probing and guessing and pretending with them. They leave it to Nature to cure in her own time, but they take the credit. As well as very fat fees.

  • Put it off for a bit. All life is putting off. Well, not entirely.

  • Evil has to exist along with good, in order that moral choice may operate.

  • I see what is right and approve, but I do what is wrong.

  • The essence of pop stardom is immaturity - a wretched little pseudo-musical gift, a development of the capacity to shock, a short-lived notoriety, extreme depression, a yielding to the suicidal impulse.

  • Reviewers do not read books with much care . . . their profession is more given to stupidity and malice and literary ignorance even than the profession of novelist.

  • To devastate is easier and more spectacular than to create.

  • All human life is here, but the Holy Ghost seems to be somewhere else.

  • There is a satisfactory boniness about grammar which the flesh of sheer vocabulary requires before it can become a vertebrate and walk the earth.

  • Language exists less to record the actual than to liberate the imagination.

  • But what I do I do because I like to do.

  • When the State withers, humanity flowers.

  • I think art is sublimated libido. You canĂ¢??t be a eunuch priest, and you canĂ¢??t be a eunuch artist.

  • If you expect the worst from a person, you can't ever be disappointed... The pessimist takes a sort of gloomy pleasure in observing the depths to which human behaviour can sink. Everyone likes to have his deepest convictions confirmed; that is one of the most abiding of human satisfaction.

  • Death comes along like a gas bill one can't pay.

  • Elgar is not manic enough to be Russian, not witty or pointilliste enough to be French, not harmonically simple enough to be Italian and not stodgy enough to be German. We arrive at his Englishry by pure elimination.

  • The ideal reader of my novels is a lapsed Catholic and failed musician, short-sighted, colour-blind, auditorily biased, who has read the books that I have read.

  • One goes on writing partly because it is the only available way of earning a living. It is a hard way and highly competitive. My heart drops into my bowels when I enter a bookshop and see how fierce the competition is...There is also a privier reason for pushing on, and that is the hopeless hope that someday that intractable enemy language will yield to the struggle to control it... Mastery never comes, and one serves a lifelong apprenticeship. The writer cannot retire from the battle; he dies fighting.

  • The state is never so efficient as when it wants money.

  • You don't say, 'I've done it!' You come, with a kind of horrible desperation, to realize that this will do.

  • Blessed tree and blessed birds, that were to be neither saved nor damned.

  • All art preserves mysteries which aesthetic philosophers tackle in vain.

+1
Share
Pin
Like
Send
Share