Angela Carter quotes:

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  • Strangers used to gather together at the cinema and sit together in the dark, like Ancient Greeks participating in the mysteries, dreaming the same dream in unison.

  • My mother learned that she was carrying me at about the same time the Second World War was declared; with the family talent for magic realism, she once told me she had been to the doctor's on the very day.

  • Aeneas carried his aged father on his back from the ruins of Troy and so do we all, whether we like it or not, perhaps even if we have never known them.

  • Nostalgia, the vice of the aged. We watch so many old movies our memories come in monochrome.

  • I haven't changed much, over the years. I use less adjectives, now, and have a kinder heart, perhaps.

  • Reading a book is like re-writing it for yourself. You bring to a novel, anything you read, all your experience of the world. You bring your history and you read it in your own terms.

  • Mother goddesses are just as silly a notion as father gods. If a revival of the myths of these cults gives woman emotional satisfaction, it does so at the price of obscuring the real conditions of life. This is why they were invented in the first place.

  • A book is simply the container of an idea like a bottle; what is inside the book is what matters.

  • Moonlight, white satin, roses. A bride.

  • Comedy is tragedy that happens to other people.

  • Out of the frying pan into the fire! What is marriage but prostitution to one man instead of many? No different!

  • She said to the Daisy girl with her big brown eyes: 'I will not have it plain. No. Fancy. It must be fancy!' She meant her future. A moon-daisy dropped to the floor, down from her hair, like a faintly derisive sign from heaven.

  • In a secular age, an authentic miracle must purport to be a hoax, in order to gain credit in the world.

  • A day without an argument is like an egg without salt.

  • Though I still turn up my coat-collar in a lonely way and am always looking at myself in mirrors, they're only habits and give no clue at all to my character, whatever that is. The most difficult performance in the world is acting naturally isn't it? Everything else is artful.

  • You must realize that I was suffering from love and I knew him as intimately as I knew my own image in a mirror. In other words, I knew him only in relation to myself.

  • They will be like shadows, they will be like wraiths, gray members of a congregation of nightmare; hark! his long wavering howl . . . an aria of fear made audible. The wolfsong is the sound of the rending you will suffer, in itself a murdering.

  • We do not go to bed in single pairs; even if we choose not to refer to them, we still drag there with us the cultural impedimenta of our social class, our parents' lives, our bank balances, our sexual and emotional expectations, our whole biographies-all the bits and pieces of our unique existences.

  • The bed is now as public as the dinner table and governed by the same rules of formal confrontation.

  • And, conversely, she went on to herself, sneering at the Grand Duke's palace, poverty is wasted on the poor, who never know how to make the best of things, are only the rich without money, are just as useless at looking after themselves, can't handle their cash just like the rich can't, always squandering it on bright, pretty, useless things in just the same way.

  • If the Barbarians are destroyed, who will we then be able to blame for the bad things?

  • Where ambition can cover its enterprises, even to the person himself, under the appearance of principle, it is the most incurable and inflexible of passions.

  • Nothing is a matter of life and death except life and death.

  • What is marriage but prostitution to one man instead of many?

  • And each stroke of his tongue ripped off skin after successive skin, all the skins of a life in the world, and left behind a nascent patina of shining hairs. My earrings turned back to water and trickled down my shoulders; I shrugged the drops off my beautiful fur.

  • Those are the voices of my brothers, darling; I love the company of wolves."

  • I think the adjective post-modernist really means mannerist. Books about books is fun but frivolous.

  • Cats of all kinds weave in and out of the text; Burroughs has clearly taken to them in a big way in his old age and seems torn between a fear they will betray him into sentimentality and a resigned acceptance that a man can't be ironic all the time.

  • Spindly branches of buttercups were secreted among gleaming stems still moist at the roots from last night's rain that had washedand refreshed the entire wood, had dowered it in poignant transparency, the unique, inconsolable quality of rainy countries, as if all was glimpsed through tears.

  • The wolf is carnivore incarnate and he's as cunning as he is ferocious; once he's had a taste of flesh then nothing else will do.

  • Fine art, that exists for itself alone, is art in a final state of impotence. If nobody, including the artist, acknowledges art as a means of knowing the world, then art is relegated to a kind of rumpus room of the mind and the irresponsibility of the artist and the irrelevance of art to actual living becomes part and parcel of the practice of art.

  • We must all make do with the rags of love we find flapping on the scarecrow of humanity.

  • Sade has a curious ability to render every aspect of sexuality suspect, so that we see how the chaste kiss of the sentimental lover differs only in degree from the vampirish love-bite that draws blood, we understand that a disinterested caress is only quantitatively different from a disinterested flogging.

  • Your green eye is a reducing chamber. If I look into it long enough, I wil become as small as my own reflection, I will diminish to a point and vanish. I will be drawn down into that black whirlpool and be consumed by you. I shall become so small you can keep me in one of your osier cages and mock my loss of liberty.

  • She herself is a haunted house. She does not possess herself; her ancestors sometimes come and peer out of the windows of her eyes and that is very frightening. from "The Lady of the Haunted House

  • The notion of a universality of human experience is a confidence trick and the notion of a universality of female experience is a clever confidence trick.

  • To pin your hopes upon the future is to consign those hopes to a hypothesis, which is to say, a nothingness. Here and now is what we must contend with.

  • You were the living image of the entire Platonic shadow show, an illusion that could fill my emptiness with marvellous, imaginary things as long as, just as long as, the movie lasted, and then all would all vanish.

  • It is far easier for a woman to lead a blameless life than it is for a man; all she has to do is to avoid sexual intercourse like the plague.

  • The kind of power mothers have is enormous. Take the skyline of Istanbul - enormous breasts, pathetic little willies, a final revenge on Islam. I was so scared I had to crouch in the bottom of the boat when I saw it

  • Cities have sexes: London is a man, Paris a woman, and New York a well-adjusted transsexual.

  • I don't really think that writers, even great writers, are prophets, or sages, or Messiah-like figures; writing is a lonely, sedentary occupation and a touch of megalomania can be comforting around five on a November afternoon when you haven't seen anybody all day.

  • She stands and moves within the invisible pentacle of her own virginity. She is an unbroken egg: she is a sealed vessel; she has inside her a magic space the entrance to which is shut tight with a plug of membrane; she is a closed system; she does not know how to shiver.

  • If Miss means respectably unmarried, and Mrs. respectably married, then Ms. means nudge, nudge, wink, wink.

  • Drosselmeier had unwittingly exposed himself to an overdose of reality, and it had destroyed his reason.

  • Why do you do up your hair in those tortured plaits, now, Melanie? Why? Because, she said. You know that's no answer. You're spoiling your pretty looks, pet. Come here. She did not move. He ground out his cigarette on the window-ledge and laughed. Come here, he said again, softly. So she went.

  • Pornographers are the enemies of women only because our contemporary ideology of pornography does not encompass the possibility of change, as if we were the slaves of history and not its makers. . . . Pornography is a satire on human pretensions.

  • I think it's one of the scars in our culture that we have too high an opinion of ourselves. We align ourselves with the angels instead of the higher primates.

  • A young girl would go into the wood as trustingly as Red Riding Hood to her granny's house but this light admits no ambiguities and, here, she will be trapped in her own illusion because everything in the woods is exactly as it seems.

  • This dance was the dance of death. [The clowns] danced it for the wretched of the earth, that they might witness their own wretchedness

  • They danced the dance of the outcasts for the outcasts who watched them, amid the louring trees, with a blizzard coming on

  • Art need no longer be an account of past sensations. It can become the direct organization of more highly evolved sensations. It is a question of producing ourselves, not things that enslave us.

  • All artists, they say, are a little mad. This madness is, to a certain extent, a self-created myth designed to keep the generality away from the phenomenally close-knit creative community. Yet, in the world of the artists, the consciously eccentric are always respectful and admiring if those who have the courage to be genuinely a little mad.

  • She stayed beside me until I slept, waveringly, brilliantly, hooded in diaphanous scarlet, and occasionally she left an imperative written in lipstick on my dusty windowpane. BE AMOROUS! she exhorted one night and, another night, BE MYSTERIOUS! Some nights later, she scribbled: WHEN YOU BEGIN TO THINK, YOU LOSE THE POINT.

  • ...as if Hollywood were the name of the enchanted forest where you loose yourself and find yourself, again; the wood that changes you; the wood where you go mad; the wood where the shadows life longer than you do.

  • I will vanish in the morning light; I was only an invention of darkness.

  • ...a great future behind him, already

  • Perhaps...I could not be content with mere contentment!

  • The victim is always morally superior to the master; that is the victim's ambivalent triumph. That is why there have been so few notoriously wicked women in comparison to the number of notoriously wicked men; our victim status ensures that we rarely have the opportunity.

  • By the end of the affair, she had acquired so much miserable information about men and women she almost decided to give up relationships for good.

  • In a world where women are commodities, a woman who refuses to sell herself will have the thing she refuses to sell taken away from her by force

  • She stood lost in eternity... watching the immense sky...

  • A mother is always a mother, since a mother is a biological fact, whilst a father is a movable feast.

  • And it was sad music fit to make you cut your throat.

  • In the mythic schema of all relations between men and women, man proposes, and woman is disposed of.

  • I had the brief notion that his heart, pressed flat as a flower, crimson and thin as tissue paper, lay in this file. It was a very thin one.

  • Our fingernails match our toenails, match our lipstick match our rouge...The habit of applying warpaint outlasts the battle.

  • It's every woman's tragedy, that, after a certain age, she looks like a female impersonator. Mind you, we've known some lovely female impersonators, in our time.

  • Women's sexy underwear is a minor but significant growth industry of late-twentieth-century Britain in the twilight of capitalism.

  • A broken heart is never a tragedy. Only untimely death is a tragedy.

  • As for my father, few souls are less troubled. He can be simply pleased with us, pleased that we exist, and, from the vantage point of his wondrously serene old age, he contemplates our lives almost as if they were books he can dip into whenever he wants. His back pages, perhaps.

  • Vengeful as nature herself, she loves her children only in order to devour them better and if she herself rips her own veils of self-deceit, Mother perceives in herself untold abysses of cruelty as subtle as it is refined.

  • And, oh God, in my misspent youth as a housewife, I, too, used to bake bread, in those hectic and desolating days just prior to the woman's movement, when middle-class women were supposed to be wonderful wives and mothers, gracious hostesses.... I used to feel so womanly when I was baking my filthy bread.

  • Anxiety is the beginning of conscience, which is the parent of the soul but is not compatible with innocence.

  • Hollywood... was the place where the United States perpetrated itself as a universal dream and put the dream into mass production.

  • I was sitting in the looping studio late one night, and I had this epiphany that they weren't paying me for my acting, for God's sake, but to own me. And from then on, it became clear and an awful lot easier to deal with.

  • That is what I'm looking forward to the most, practical learning. I want to be a registered nurse so getting to talk to people who already work in those jobs can really teach me what to expect when I get out in the real world.

  • What a joy it is to dance and sing!

  • Not for Moorcock the painful, infrequent excretion of dry little novels like so many rabbit pellets; his is the grand, messy fluxitself, in all its heroic vulgarity, its unquenchable optimism, its enthusiasm for the inexhaustible variousness of things.

  • Irish was a man of parts even if some of them didn't work too well.

  • His touch both consoles and devastates me; I feel my heart pulse, then wither, naked as a stone on the roaring mattress while the lovely, moony night slides through the window to dapple the flanks of this innocent who makes cages to keep the sweet birds in. Eat me, drink me; thirsty, cankered, goblin-ridden, I go back and back to him to have his fingers strip the tattered skin away and clothe me in his dress of water, this garment that drenches me, its slithering odour, its capacity for drowning.

  • Is not this world an illusion? And yet it fools everybody.

  • What would the daughters of the rich do with themselves if the poor ceased to exist?

  • Language is power, life and the instrument of culture, the instrument of domination and liberation.

  • A book is simply the container of an idea-like a bottle; what is inside the book is what matters.

  • One day, Annabel saw the sun and moon in the sky at the same time. The sight filled her with a terror which entirely consumed her and did not leave her until the night closed in catastrophe for she had no instinct for self-preservation if she was confronted by ambiguities.

  • He is the intermediary between us, his audience, the living, and they, the dolls, the undead, who cannot live at all and yet who mimic the living in every detail since, though they cannot speak or weep, still they project those signals of signification we instantly recognize as language.

  • Reading a book is like re-writing it for yourself.

  • It shone on everyone, whether they had a contract or not. The most democratic thing I'd ever seen, that California sunshine.

  • Soon, nostalgia will be another name for Europe.

  • Midnight, and the clock strikes. It is Christmas Day, the werewolves birthday, the door of the solstice still wide enough open to let them all slink through.

  • He is, I think, already pondering a magisterial project: that of buggering the English language, the ultimate revenge of the colonialised.

  • I think I want to be in love with you but I don't know how.

  • [T]ea, that uniquely English meal, that unnecessary collation at which no stimulants--neither alcohol nor meat--are served, that comforting repast of which to partake is as good as second childhood.

  • I should have liked to have had him beside me in a glass coffin, so that I could watch him all the time and he would not have been able to get away from me.

  • It is, perhaps, better to be valued as an object of passion than never to be valued at all.

  • Nostalgia, the vice of the aged.

  • The kind of power mothers have is enormous.

  • There are lots of things that you can brush under the carpet about yourself until you're faced with somebody whose needs won't be put off.

  • A fairy tale is the kind of story in which one king goes to another king to borrow a cup of sugar

  • There is a striking resemblance between the act of love and the ministrations of a torturer.

  • When I saw him look at me with lust, I dropped my eyes but, in glancing away from him, I caught sight of myself in the mirror. And I saw myself, suddenly, as he saw me, my pale face, the way the muscles in my neck stuck out like thin wire. I saw how much that cruel necklace became me. And, for the first time in my innocent and confined life, I sensed in myself a potentiality for corruption that took my breath away.

  • This lack of imagination gives his heroism to the hero.

  • His main principles were indeed as follows: everything it is possible to imagine can also exist.

  • Anticipation is the greater part of pleasure.

  • I see her as a series of marvellous shapes formed at random in the kaleidoscope of desire.

  • I drew the curtains to conceal the sight of my father's farewell; my spite was sharp as broken glass.

  • Stars on our door, stars in our eyes, stars exploding in the bits of our brains where the common sense should have been

  • I desire therefore I exist.

  • Before he can become a wolf, the lycanthrope strips naked. If you spy a naked man among the pines, you must run as if the Devil were after you.

  • One beast and only one howls in the woods by night.

  • Hope for the best, expect the worst.

  • Not many people can boast a photo of their grandmother posing for kiddiporn.

  • The lovely Hazard girls', they used to call them. Huh. Lovely is as lovely does; if they looked like what they behave like, they'd frighten little children.

  • Pornography is a satire on human pretensions.

  • Those are the voices of my brothers, darling; I love the company of wolves.

  • Some cities are women and must be loved; others are men and can only be admired or bargained with

  • He was a lovely man in many ways. But he kept on insisting on forgiving me when there was nothing to forgive.

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