Amy Tan quotes:

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  • At the beginning of my career as a writer, I felt I knew nothing of Chinese culture. I was writing about emotional confusion with my mother related to our different beliefs. Hers was based in family history, which I didn't know anything about. I always felt hesitant in talking about Chinese culture and American culture.

  • I loved fairy tales when I was a kid. Grimm. The grimmer the better. I loved gruesome gothic tales and, in that respect, I liked Bible stories, because to me they were very gothic.

  • The forbidden things were a great influence on my life. I was forbidden from reading A Catcher in the Rye.

  • God, life changes faster than you think.

  • I was intelligent enough to make up my own mind. I not only had freedom of choice, I had freedom of expression.

  • People think it's a terrible tragedy when somebody has Alzheimer's. But in my mother's case, it's different. My mother has been unhappy all her life. For the first time in her life, she's happy.

  • I'd like to be more forgiving. There are times when I've had a hard time forgiving people who have betrayed me.

  • I saw my mother in a different light. We all need to do that. You have to be displaced from what's comfortable and routine, and then you get to see things with fresh eyes, with new eyes.

  • I think I've always been somebody, since the deaths of my father and brother, who was afraid to hope. So, I was more prepared for failure and for rejection than for success.

  • I'm open to reading almost anything - fiction, nonfiction - as long as I know from the first sentence or two that this is a voice I want to listen to for a good long while. It has much to do with imagery and language, a particular perspective, the assured knowledge of the particular universe the writer has created.

  • I wanted to write stories for myself. At first it was purely an aesthetic thing about craft. I just wanted to become good at the art of something. And writing was very private.

  • There are a lot of people who think that's what's needed to be successful is always being right, always being careful, always picking the right path.

  • You write a book and you hope somebody will go out and pay $24.95 for what you've just said. I think books were my salvation. Books saved me from being miserable.

  • I am an American, steeped in American values. But I know on an emotional level what it means to be of the Chinese culture.

  • I did not lose myself all at once. I rubbed out my face over the years washing away my pain, the same way carvings on stone are worn down by water.

  • My mother had a very difficult childhood, having seen her own mother kill herself. So she didn't always know how to be the nurturing mother that we all expect we should have.

  • Words to me were magic. You could say a word and it could conjure up all kinds of images or feelings or a chilly sensation or whatever. It was amazing to me that words had this power.

  • I am like a falling star who has finally found her place next to another in a lovely constellation, where we will sparkle in the heavens forever.

  • I didn't fear failure. I expected failure.

  • No one in my family was a reader of literary fiction. So, I didn't have encouragement, but I didn't have discouragement, because I don't think anybody knew what that meant.

  • Writing is an extreme privilege but it's also a gift. It's a gift to yourself and it's a gift of giving a story to someone.

  • My parents told me I would become a doctor and then in my spare time I would become a concert pianist. So, both my day job and my spare time were sort of taken care of.

  • Only you pick that crab. Nobody else take it. I already know this. Everyone else want best quality. You thinking different.

  • I thought I was clever enough to write as well as these people and I didn't realize that there is something called originality and your own voice.

  • The forbidden things were a great influence on my life. I was forbidden from reading A Catcher in the Rye."

  • It's a luxury being a writer, because all you ever think about is life.

  • People talk about this 'bucket list': 'I need to go to this country, I need to skydive.' Whereas I need to think as much as I can, to feel as much as I can, to be conscious and observe and understand me and the people around me as much as I can.

  • Chinese artists have been subversive over thousands of years, taking what they think of the government and embedding it in their art. There might be censorship of not going as far as they might.

  • I have survivor skills. Some of that is superficial - what I present to people outwardly - but what makes people resilient is the ability to find humour and irony in situations that would otherwise overpower you.

  • When the anesthesia of love wears off,you suffer the pain of consequence.

  • That is the saddest part when you lose someone you love - that person keeps changing. And later you wonder, Is this the same person I lost? Maybe you lost more maybe less, then thousand different things that come from your memory or imagination - and you do not know which is which, which was true, which is false."

  • From what I have observed, when the anesthesia of love wears off, there is always the pain of consequences. You don't have to be stupid to marry the wrong man.

  • If you can't change your fate, change your attitude.

  • Whenever I'm with my mother, I feel as though I have to spend the whole time avoiding land mines.

  • And now I have to stop. Because every time I remember this, I have to cry a little by myself. I don't know why something that made me so happy then feels so sad now. Maybe that is the way it is with the best memories.

  • We are the kind of people who obsess over one word... but we have only one shot to get it right in concert. It was hard the first time I practiced with them. I was so nervous that my vocal chords were paralyzed for about a half-hour.

  • My mother said I was a clingy kid until I was about four. I also remember that from the age of eight she and I fought almost every day.

  • I hid my deepest feelings so well I forgot where I placed them.

  • Dementia was like a truth serum.

  • Who knows where inspiration comes from. Perhaps it arises from desperation. Perhaps it comes from the flukes of the universe, the kindness of the muses.

  • I thought this man had long ago drained everything from my heart. But now something strong and bitter flowed and made me feel another emptiness in a place I didn't know was there. I cursed this man aloud so he could hear. You had dog eyes. You jumped and followed whoever called you. Now you chase your own tail.

  • I felt like a rich vagabond who had passed through the world paving my way with gold fairy dust, then realizing too late that the path disintegrated as soon as I passed over it.

  • And I think now that fate is shaped half by expectation, half by inattention. But somehow, when you lose something you love, faith takes over. -Rose

  • I love my daughter. She and I have shared my body. There is a part of her mind that is a part of mine. But when she was born, she sprang from me like a slippery fish, and has been swimming away ever since.

  • But I will win and give her my spirit, because this is the way a mother loves her daughter. -Ying Ying

  • Fate is shaped half by expectation, half by inattention.

  • When you already believe something, how can you suddenly stop? When you are a loyal friend, how can you no longer be one?

  • I have loved works of fiction precisely for their illusions, for the author's sleight-of-hand in showing me the magic, what appeared in the right hand but not in the left...

  • Among writers, if you don't have a therapist, it's like saying you don't keep a journal or use the thesaurus. It's a natural accompaniment.

  • That is the nature of endings, it seems. They never end. When all the missing pieces of your life are found, put together with glue of memory and reason, there are more pieces to be found.

  • We all hate moral ambiguity in some sense, and yet it is also absolutely necessary. In writing a story, it is the place where I begin.

  • People there only dream that it is China, because if you are Chinese you can never let go of China in your mind.

  • If I look upon my whole life, I cannot think of another time when I felt more comfortable: when I had no worries, fears, or desires, when my life seemed as soft and lovely as lying inside a cocoon of rose silk.

  • So sad! This is the saddest part when you lose someone you love- that person keeps changing. And later you wonder, Is this the same person I lost?

  • I now lived in an invisible place made of my own dwindling breath, and because no one else could see it, they could not yank me out of it.

  • Now they seemed to be in a contest over who could irritate her more, and she sometimes had to remind herself that teenagers had souls

  • ...you have to believe in its principles. Anything is possible, as long as it's for the good of the world. Make the exception. Live exceptionally. And if you can't do that, maybe we should consider whether you're right for the project. Think about it, then let's talk tomorrow.

  • All objects exist in a moment of time.

  • I don't steer clear of genres. I simply haven't steered myself toward some of them.

  • It felt like all the truth got whitewashed with fake happiness," she said, "only it was not happy and it was worse than fake. It was dangerous

  • You remember only what you want to remember. You know only what your heart allows you to know.

  • Auntie An-mei had cried before she left for China, thinking she would make her brother very rich and happy by communist standards. But when she got home, she cried to me that everyone had a palm out and she was the only one who left with an empty hand.

  • ...I was like a bird, my wings once carried on a wind of lies. I would beat those wings to stay aloft, and when the wind suddenly died or buffeted me around, I would keep beating those strong wings and fly in my own slice of wind

  • Isn't hate merely the result of wounded love?

  • too much happiness always overflowed into tears of sorrow.

  • I feel I've always been writing about self-identity. How do we become who we are? So I'm just writing from experience what's concerned me.

  • You have to be your own person. You can't let people's opinions determine how you think about yourself. There's a difference between identity and self-identity.

  • Shanghainese people are good negotiators, they're very persistent, and you grow up in an atmosphere like that - very competitive. That becomes part of your personality, Shanghai personality becomes part of yours.

  • You don't care what people think. You don't see your beloved's faults, the slight stinginess, the bit of carelessness, the occasional streak of meanness. You don't mind that he is beneath you socially, educationally, financially, and morally--that's the worst, I think, deficient morals. (Saving Fish From Drowning)

  • Wise guy, he not go against wind. In Chinese we say, Come from South, blow with wind -- poom! -- North will follow. Strongest wind cannot be seen.

  • Writing what you wished was the most dangerous form of wishful thinking.

  • I also thought of playing improvisational jazz and I did take lessons for a while. At first I tried to write fiction by making up things that were completely alien to my life.

  • When I go back and read my journals or fiction, I am always surprised. I may not remember having those thoughts, but they still exist and I know they are mine, and it's all part of making sense of who I am.

  • My parents had very high expectations. They expected me to get straight A's from the time I was in kindergarten.

  • I would never require anyone to read any book. That seems antithetical to why we read - which is to choose a book for our personal reasons. I always shudder when I'm told my books are on required reading lists.

  • It's both rebellion and conformity that attack you with success.

  • You can get sucked into the idea that, 'Gosh, this is impressive. Maybe I should do this. It will look good.' Or 'I'll write like this because it will impress that critic.'

  • I write because I know that one day I will die, and thus I should experience as many deliberate observations, careful thoughts, wild ideas, and deep emotions as I can before that day occurs.

  • I learned to forgive myself, and that enabled me to forgive my mother as a person.

  • I was punched breathless by the strongest emotions I have ever felt and they are now stored in my intuition as a writer.

  • How can you blame a person for his fears and weaknesses unless you have felt the same and done differently?

  • No two languages are ever sufficiently similar to be considered as representing the same social reality. The worlds in which different societies live are distinct worlds, not merely the same world with different labels attached.

  • I take a few quick sips. "This is really good." And I mean it. I have never tasted tea like this. It is smooth, pungent, and instantly addicting. "This is from Grand Auntie," my mother explains. "She told me 'If I buy the cheap tea, then I am saying that my whole life has not been worth something better.' A few years ago she bought it for herself. One hundred dollars a pound." "You're kidding." I take another sip. It tastes even better.

  • How do I create something out of nothing? And how do I create my own life? I think it is by questioning, and saying to myself that there are no absolute truths.

  • I was six when my mother taught me the art of invisible strength..."strongest wind cannot be seen."

  • Ying-ying, you have tiger eyes. They gather fire in the day. At night they shine golden.

  • The muse appears at the point in my writing when I sense a subtle shift, a nudge to move over, and everything cracks open, the writing is freed, the lanuage is full, resources are plentiful, ideas pour forth, and to be frank, some of these ideas surprise me. It seems as thought the universe is my friend and is helping me write, its hand over mine.

  • Libraries are the pride of the city.

  • I have a writer's memory which makes everything worse than maybe it actually was.

  • Memory feeds imagination.

  • That was how dishonesty and betrayal started, not in big lies but in small secrets.

  • You see what power is holding someone else's fear in your hand and showing it to them.

  • Even if I had expected it, even if I had known what I was going to do with my life, it would have knocked the wind out of me. When something that violent hits you, you can't help but lose your balance and fall. And after you pick yourself up, you realize you can't trust anybody to save you- not your husband, not your mother, not God. So what can you do to stop yourself from tilting and falling all over again?

  • There's no hope. There's no reason to keep trying. Because you must. This is not hope. Not reason. This is your fate. This is your life, what you must do.

  • Chance is the first step you take, luck is what comes afterward.

  • And then it occurs to me. They are frightened. In me, they see their own daughters, just as ignorant, just as unmindful of all the truths and hopes they have brought to America. They see daughters who grow impatient when their mothers talk in Chinese, who think they are stupid when they explain things in fractured English. They see that joy and luck do not mean the same to their daughters, that to these closed American-born minds "joy luck" is not a word, it does not exist. They see daughters who will bear grandchildren born without any connecting hope passed from generation to generation.

  • I read a book a day when I was a kid. My family was not literary; we did not have any books in the house.

  • In America nobody says you have to keep the circumstances somebody else gives you.

  • With each passing day, I didn't lose hope. I fought to have more.

  • Sure I loved him - too much. And he loved me, only not enough. I just want someone who thinks I'm number one in his life. I'm not willing to accept emotional scraps anymore.

  • I was raised the Chinese way: I was taught to desire nothing, to swallow other people's misery, to eat my own bitterness. And even though I taught my daughter the opposite, still she came out the same way! Maybe it is because she was born to me and she was born a girl. And I was born to my mother and I was born a girl. All of us are like stairs, one step after another, going up and down, but all going the same way.

  • I think we often write because we feel a loneliness, and people read for the same reason, and then they come away feeling a little less lonely.

  • Mothers have the huge influence, and I feel like they're always teaching us from the day we're born what to be afraid of, what to be cautious of, what we should like and what we should look like. Then we spend half of our life trying to be not like them, and then we reach another part of our lives where we see these things we can't get rid of.

  • Then you must teach my daughter this same lesson. How to lose your innocence but not your hope. How to laugh forever.

  • I am fascinated by language in daily life: the way it can evoke an emotion, a visual image, a complex idea, or a simple truth.

  • When you lose your face..., it is like dropping your necklace down a well. The only way you can get it back is to fall in after it.

  • My mother had a very difficult childhood, having seen her own mother kill herself. So she didnt always know how to be the nurturing mother that we all expect we should have.

  • My sisters and I stand, arms around each other, laughind and wiping the tears from each others eyes. The flash of the Polaroid goes off and my family hands me the snapshot. My sisters and I watch quietly together, eager to see what develops. Ghe grey-greensurface changes to the bright colors of our three images, sharpening and deepening all at once. And although we don't speak, I know we all see it: Together we look like our mother. Her same eyes, her same mouth, open in suprise to see, her long-cherished wish.

  • And after I played them both a few times, I realized they were two halves of the same song.

  • Yet part of me also thinks the whole idea makes perfect sense. The three of us, leaving our differences behind, stepping on the plane together, sitting side by side, lifting off, moving West to reach the East.

  • I saw what I had been fighting for: It was for me, a scared child, who had run away a long time ago to what I had imagined was a safer place. And hiding in this place, behind my invisible barriers, I knew what lay on the other side: Her side attacks. Her secret weapons. Her uncanny ability to find my weakest spots. But in the brief instant that I had peered over the barriers I could finally see what was finally there: an old woman, a wok for her armor, a knitting needle for her sword, getting a little crabby as she waited patiently for her daughter to invite her in.

  • So this is what I will do. I will gather together my past and look. I will see a thing that has already happened. the pain that cut my spirit loose. I will hold that pain in my hand until it becomes hard and shiny, more clear. And then my fierceness can come back, my golden side, my black side. I will use this sharp pain to penetrate my daughter's tough skin and cut her tiger spirit loose. She will fight me, because this is the nature of two tigers. But I will win and giver her my spirit, because this is the way a mother loves her daughter.

  • Now I was a tiger that neither pounced nor lay waiting between the trees. I became an unseen spirit.

  • It means we're looking one way, while following another. We're for one side and also the other. We mean what we say, but our intentions are different.

  • Love is tricky. It is never mundane or daily. You can never get used to it. You have to walk with it, then let it walk with you. You can never balk. It moves you like the tide. It takes you out to sea, then lays you on the beach again. Today's struggling pain is the foundation for a certain stride through the heavens. You can run from it but you can never say no. It includes everyone.

  • I felt foolish and tired, as if I had been running to escape someone chasing me, only to look behind to discover there was no one there.

  • While it is good to speak well, it is better to speak the truth.

  • Why do you have to use me to show off? If you want to show off, then why don't you learn to play chess." - Ch. 5

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