Alex Kapranos quotes:

Of course, there's a certain type of person who feels that anything which becomes mainstream has to be rejected immediately. And that's part of the indie-alternative snobbery and hierarchy and elitism.

Cinema, which is influenced by every single part of life, is direct and reaches you immediately. And writing - the best writing is complex ideas communicated concisely. And music - if it's a good tune, make sure people can bloody hear it.

Boredom or being sick of what you've done before is a big part of being in a band.

Just because you can leap off a drum kit doing a scissors kick while hitting a chord, people expect you to be an extrovert socially. But I'm not always comfortable with the idea of small talk at a party.

No matter what you do, if you're trying to create something new, your environment has a massive impact on you.

It doesn't matter how adventurous you want to be, you've still got to contain your identity.

The internet is like a gossipy girls' locker room after school, isn't it?

Boho to me is a first-year student who's just discovered the tie-dye shop.

Arty. To me the word's got as much venom associated with it as 'wacky'.

I want to make music that will make the blood surge in your veins, music that will get people up and dance.

The Beatles were huge for me, ... I used to jump around the room to the red album, the one with all the early hits on it. It made you feel euphoric. It was a sensation I couldn't get from anything else, whether it was playing football, swimming or even seeing 'Star Wars.'

It's easy to be lazy when there's food lying around backstage or there's a fast-food joint a couple blocks away. But if you walk a little further, ask around a bit, of course there are exciting things to discover.

I think in the world of indie music there's this sort of false modesty.

I really want it to have an impact on the world. I want to be in a town on the other side of the world, and somebody walks up and says, 'That music you made in Glasgow, I listened to it every day, and it moved me.'

Although they might not admit it, I think girls are very aware of the impact that they're having. But they never feel it themselves, and it's impossible to explain. It's like trying to tell a blind person what yellow is.

A lot of bands have the enthusiasm kicked out of them by playing really dreary pub venues that just churn bands through.

Surely every band wants to be a pivotal point in history.

Traditionally, lots of vagrants and unemployable characters wind up working in kitchens.

People's musical tastes are fickle, and music can be a fashion.

I'd rather eat a cow-pat on a bun than a bloody McDonalds.

I didn't grasp the basic principle of being a promoter, which was: Put on music but also generate an income. I was on the dole most of the time.

If I was a fan of someone as a teenager, then it's OK for me to feel completely in awe when I meet them.

Being in a band didn't buy me my beans on toast!

There's a character that I play onstage, and I can't let him loose in the supermarket when I'm buying my beans on toast.

A lot of food criticism has a similar flavor to it, and I'm probably going to write about it in a different way.

I'm not a food critic, and I'm not really an authority to write anything on food.

If success had come along when I was 17 it would either have killed me or sent me completely mad.

The best songwriting comes from being as creative as you can and editing it down to the good bits, essentially.

There's a difference between expectations and aspirations.

You really only understand whether a song's good or not when you properly play it out in public for the first time.

Why play a chord when you can play one note?

Maybe 'Can't Stop Feeling' and 'Turn It On' we'll just release as singles. It's a thing The Beatles used to do which I really loved, the idea of releasing something as a single completely on its own.

There are loads of bands I'd love to produce.

It's very rare that a song falls from your mind complete.

You can only begin to be great when you embrace a sense of your own ridiculousness.

I think a lot of bands are creatively knackered when they come off tour.

Men behave very oddly in the company of attractive women.

I have always been fascinated by the concept of the villain and the hero being in one person.

Glasgow's not a media center. When you're there, when you're hanging about, you feel quite detached from musical movements or fashions or anything like that. You do feel quite alone, in a good way.

You're letting such a fragile side of yourself out when you're creating or writing music. To do that with people who are almost strangers would seem very strange to me. I think that we're very lucky that we're quite close. To us, it's almost like the band is the grandest possible adventure you can go on with your friends. It's really really exciting.

You can always have it better. If you try... [This is the right attitude:] Never to feel [completely] satisfied, always to want to do something better!

Ambition is sneered at by some bands. It seems like a pretty good thing to me.

I really want it to have an impact on the world. I want to be in a town on the other side of the world, and somebody walks up and says, 'That music you made in Glasgow, I listened to it every day, and it moved me.