Alberto Moravia quotes:

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  • Good writers are monotonous, like good composers. They keep trying to perfect the one problem they were born to understand.

  • The novel as we knew it in the nineteenth century was killed off by Proust and Joyce.

  • In life there are no problems, that is, objective and external choices; there is only the life which we do not resolve as a problem but which we live as an experience, whatever the final result may be.

  • The ratio of literacy to illiteracy is constant, but nowadays the illiterates can read and write.

  • Dictatorships are one-way streets. Democracy boasts two-way traffic.

  • Our ideals, laws and customs should be based on the proposition that each generation in turn becomes the custodian rather than the absolute owner of our resources - and each generation has the obligation to pass this inheritance on in the future.

  • When I sit at my table to write, I never know what it's going to be until I'm under way. I trust in inspiration, which sometimes comes and sometimes doesn't. But I don't sit back waiting for it. I work every day.

  • An uncertain evil causes anxiety because, at the bottom of one's heart, one goes on hoping till the last moment that it may not be true; a certain evil, on the other hand, instills, for a time, a kind of dreary tranquillity.

  • War has become an affair of machines...and soldiers are little more than clever mechanics.

  • I do not foresee a time when I shall feel that I have nothing to say.

  • ...my boredom might be described as a malady affecting external objects and consisting of a withering process; an almost instantaneous loss of vitality--just as though one saw a flower change in a few seconds from a bud to decay and dust.

  • This thought strengthened in me my belief that all men, without exception, deserve to be pitied, if only because they are alive.

  • And we all know love is a glass which makes even a monster appear fascinating.

  • The less one notices happiness, the greater it is.

  • I like to compare my method with that of painters centuries ago, proceeding from layer to layer.

  • When you aren't sincere you need to pretend, and by pretending you end up believing yourself; that's the basic principle of every faith.

  • I don't think it's possible to write a good novel around a negative personality.

  • Loyalty, Signor Molteni, not love. Penelope is loyal to Ulysses but we do not know how far she loved him...and as you know people can sometimes be absolutely loyal without loving. In certain cases, in fact, loyalty is form of vengeance, of black-mail, of recovering one's self-respect. Loyalty, not love.

  • A writer survives in spite of his beliefs.

  • It is what we are forced to do that forms our character, not what we do of our own free will.

  • You can't think on purpose about somebody or something. Either you think about them naturally or you don't think at all.

  • There are many reasons for keeping a diary: to make a note of facts that one considers important; to open one's heart, to give vent to one's feelings, to make confessions; from the instinct of economy which sometimes encourages a writer to make good use of even the smallest crumbs of his life, so that he may have one more book to publish; or again from vanity and self- satisfaction.

  • Modern man-whether in the womb of the masses, or with his workmates, or with his family, or alone-can never for one moment forget that he is living in a world in which he is a means and whose end is not his business.

  • Every true writer is like a bird; he repeats the same song, the same theme, all his life. For me, this theme as always been revolt.

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